Homer's Odyssey / A Commentary

by Denton Jaques Snider

The preceding etymological intimations are dim enough, yet they point back to Asia, and to an old Aryan relationship. Not too much stress is to be put upon them, yet they are entitled to their due recognition, and are not to be thrown aside as absolutely meaningless. By Homer, himself, they could not have been understood, being traces of a migration and ethnical kinship which had been in his time long forgotten, and which modern scholarship has resurrected through the comparative study of language.

More important is the connection between Circe and the two preceding portions of this Book, Æolia and the Læstrigonians. We have just seen how both Family and State cast Ulysses off, must cast him off, since he is without moral subordination. The inner self-control demanded by an institutional life he has not been able to reach, after the alienation produced by the Trojan War; the bag of winds given into his hand by Æolus he could not keep tied. Why? Behold Circe rise up and take on shape after his twofold experience. Really she is evolved out of Ulysses in a certain sense; he sees her just now and not before, because he has created her. Why is he thus repelled by Family and State? Circe is the answer; she is the enchantress who stands for sensuous pleasure in its most alluring form; with her is now the battle.

Thus we approach another struggle of the hero, the longest and by far the most elaborately unfolded, of the present Book. In many respects it is the counterpart of the story of Polyphemus in the previous Book. There he meets and puts down the anti-institutional man; here he meets and puts down the anti-moral woman. The one represents more the objective side of man's spirit, the other more the subjective; both together image the totality of the ethical world, in its two supreme aspects, institutions and morals.

Very famous has this story of Circe become in literature. It has furnished proverbs, allusions, texts for exhortation; it has been wrought over into almost every possible form—drama, novel, poem, paramyth; from the nursery to old age it retains its charm and power. Its meaning is plain enough, especially at first; but it grows more weird and more profound as it develops; at last it ascends quite into the beyond and points to the supersensible world.

Now the main point to be seized in this tale is the movement, the development of Circe through her several stages, which are in the main three, showing Circe victorious, Circe conquered, and Circe prophetic. Ulysses and his companions move along with these stages, being also in the process; but the center of interest, the complete unfolding, is found in Circe. These three chief stages we may give somewhat more fully before entering upon the detailed exposition.

First. The island is reached; some of the companions under a leader (not Ulysses) go to Circe's abode, and are turned into swine after partaking of her food. Circe triumphant.

Second. Ulysses himself then goes, having obtained the plant moly; he subdues, enjoys; he releases his companions. He finally asks to be sent home, according to the promise she had given. Circe subordinated.

Third. Then she reveals her prophetic power and announces the future journey to Hades, ere he can return home. Thus she sends him on beyond herself, and reaches her culmination in this Book.

Of these three stages the last seems inappropriate to Circe's character, and is always a puzzle to the reader, till he probes to the thought underlying the tale. Circe, then, is to show herself a seeress, and foreshadow the world beyond the present. Why just that in her case? But before the question can be answered, we must unfold the first two stages.

I. After an introduction which names the new island and its occupant, as well as gives a bit of her genealogy, the tale takes up Ulysses and his companions. After a rest of two days and two nights, the hero goes forth to spy out the land, ascends a hill whence he sees the smoke of Circe's palace rising "through the bushes and the trees." His last experience makes him careful, his thirst for knowledge does not now drive him to go at once into her presence. He returns to his companions with his information, and on the way back he kills a high-horned stag, "which had come down from the woods to the stream to slake its thirst." The result is a good meal for all once more, and a restoration of hope.