Homer's Odyssey / A Commentary

by Denton Jaques Snider

So much by way of tracing the universal relations of this poem with its Phœnician background of commerce as well as with its Semitic character of Eumæus. For, somehow, we cannot help seeing in this latter certain traits of the old Hebrew.

III. The last part of the Book returns to Telemachus and his ship; he has escaped the men in ambush, and has reached the Ithacan shore at a distance from the palace; he sends the vessel to the town while he goes to the hut of the swineherd in accord with the plan of the Goddess.

But he has on his hands the seer Theoclymenus, whom he first thinks of sending to one of the Suitors; but when the seer utters a favorable prophecy, Telemachus sends him to one of his own friends for entertainment. A curious touch of policy; it was well to have the prophet in a friendly house, where he might be ready for service; even prophetic vision can be colored by personal attachments.

BOOK SIXTEENTH.

This Book connects directly with the preceding Book, and brings about not only the external meeting and recognition of father and son, but their spiritual fusion in a common thought and purpose. The scene is still laid in the swineherd's hut, but the swineherd himself must be eliminated at this point. The question rises, Why does the poet hold it so necessary to keep the matter secret from Eumæus? The care which Homer takes with this object in view, is noteworthy. Evidently the swineherd was not ready to participate, or would endanger the scheme. Yet of his fidelity there could be no question.

We have already stated our opinion on this subject. Various external reasons may be suggested but the real reason lay in the character of Eumæus. He was too sincere, open-hearted, transparent for those wily Greeks; he might let out the great secret in pure simplicity of mind; he is their contrast just herein, he is not a Greek. The situation demanded disguise, dissimulation, possibly downright lying; Eumæus was not the man for that. Such is his greatest honor, yet such is also his limit; if Ulysses and Telemachus were such as he, they would have all died nobly in their cause, but the Suitors would have triumphed, and the institutional world of Ithaca would have gone to the dogs. At least its rescue could not have taken place through them. Such is the moral contradiction which now rises, and will continue to rise more and more distinctly to view throughout the rest of the poem.

There are the two strands in the Book which are the main ones of the poem, that of the father and son, and that of the Suitors. Both are here put together and contrasted with new incidents, which are leading inevitably to the grand culmination. These two strands we shall now briefly follow out in order. There is also a third portion, the return of Eumaeus from the palace to the hut, which portion is short and unimportant.

I. Telemachus arrives at the hut of the swineherd, the dogs give him a friendly greeting in contrast to that which they give to Ulysses—a fact which shows that the youth must have been in times past a good deal with Eumæus. Also the affectionate meeting of the two suggests the same thing. Herein we note a reason for Pallas sending him hither—the Goddess and the youth coincided. Of course the conversation soon turns toward the stranger present, the disguised Ulysses. Now occurs a subtle movement between father and son who are to be brought together.

(1) First they are in a state of separation, but the disguised Ulysses holds the bond of unification in his power. Eumæus first tells to Telemachus the fictitious Cretan story concerning the stranger; then Ulysses gives a note of his true self: "Would that I were Ulysses' son or the hero himself!" What then? "I would be an evil to those Suitors." Thus the father secretly stirs the spirit of the son, in fact spiritually identifies himself. The son sends off the swineherd on an errand to Penelope, in order to announce his safe arrival from his journey to the mainland. In this way one obstacle is removed—the swineherd; now the second obstacle, the disguise is to be stripped away.

(2) Herewith occurs a divine intervention, hinting the importance of the present moment. Pallas appears to Ulysses, "but Telemachus beheld her not;" Why? "For not by any means are the Gods manifest to all men." As already stated, Ulysses has the key of the situation, and sees what is now to be done; Telemachus does not see and will not see till his father's disguise be removed. So again the Goddess Pallas appears to the wise man and addresses him because the two are one in thought; no other person not in this oneness of the human and divine can see her. In like manner Pallas appears to Achilles, "seen by him alone," in the First Book of the Iliad; similar too is the case of Telemachus when Pallas comes to him among the Suitors under the form of Mentes in the First Book of this Odyssey (see p. 26).