All were greatly impressed by the fact that so little can be known of Masaccio, who wrought here so well; that even when, or how, or where he died is a mystery; and yet his name is one of the very greatest in early Italian art.

They talked of how the greatest masters of the High Renaissance—Michael Angelo, Leonardo da Vinci, and Raphael—used to come here to study, and thus this little chapel became a great art school; and how, at the present time, it is esteemed by many one of the four most important art-buildings in the world;—the others being, Arena Chapel, Padua, where are Giotto's frescoes; Sistine Chapel, Rome, where are Michael Angelo's greatest paintings; and Scuola di San Rocco, Venice, which is filled with Tintoretto's work.

He then called their attention to the composition of Masaccio's frescoes; asking them especially to notice that, while only a few people are taking part in the principal scene, many others are standing about interested in looking on; all, men with strongly marked characteristics,—individual, and worthy of attention.

"May I repeat a verse or two of poetry right here where we stand, uncle?" asked Margery. "It keeps saying itself in my mind. I think you all know it and who wrote it, but that is all the better."

And in her own sweet way she recited James Russell Lowell's beautiful tribute to Masaccio:—

"He came to Florence long ago
And painted here these walls, that shone
For Raphael and for Angelo,
With secrets deeper than his own,
Then shrank into the dark again,
And died, we know not how or when.

"The darkness deepened, and I turned
Half sadly from the fresco grand;
'And is this,' mused I, 'all ye earned,
High-vaulted brain and cunning hand,
That ye to other men could teach
The skill yourselves could never reach?'


"Henceforth, when rings the health to those
Who live in story and in song,
O, nameless dead, that now repose
Safe in oblivion's chambers strong,
One cup of recognition true
Shall silently be drained to you!"

"But Masaccio does not need any other monument than this chapel. He is not very badly off, I am sure, while this stands, and people come from all over the world to visit it," exclaimed Malcom, as they left the Brancacci Chapel, and walked slowly down the nave of the church.