But Thomas Blatchley was not so easy to console. "It was rather hard, Alison, to understand what you said any other way."
"Look here, Blatchley old man: it's like this," said the artist, embarked now upon self-defence. "You're a good fellow, dam good fellow; very pleasant evening indeed; and I want to help you. But there's Zoë, you see; Zoë!" He laughed happily; then, more gloomy, "And there's Zoë's husband."
He sat gazing fixedly before him, as though content with having thus explained everything at last.
The great room was almost empty and yet more nearly dark, by now. A waiter who had stood anxiously close by, stepped forward eagerly, thinking that this pause would give him his chance. The publisher waved him impatiently aside with an oath easy to read from the lips.
"I don't see," he said, friendly once more, to his guest, "that Zoë's husband matters much."
Geoffrey Alison looked very wise. "Oh, but he does, you know," he answered. "He does matter. Mind you, I dislike him. Dam conceited ass. But he does matter," and he wagged his head.
"How?" asked the other, who saw the head waiter approaching. It was all or nothing.
Geoffrey Alison found that the question needed thought. "Well," he said very slowly, and there was only one more table-full for the head waiter to dislodge, "well, put yourself in his place, you know. All the dam papers with their headlines. Oh yes, he does matter."
"How headlines?" He could kill the stubborn ass. He knew that it was luck, not cleverness.
His guest, unconscious of all this emotion, aimlessly drew headlines high up in the air. "'Zoë mystery solved. Selfish swine discovered. Hubert Brett the author.' All that sort of stuff," he said, chuckling at his own journalistic readiness. "Oh yes, he does matter. Dam unpleasant for him."