At the usual morning meal he did not put in an appearance; but he sent a request to madame, asking her to be good enough to come and see him. The request was speedily complied with. When she appeared she looked as charming and as radiant as ever. He was profuse in his apologies for having troubled her to come to his room, but pleaded as an excuse a feeling of extreme illness. She displayed great anxiety and concern, and wanted to send for a doctor; but he told her it was nothing. He thought something had disagreed with him; that was all. It would pass off. A doctor was not needed. She declared, however, that if he felt no better in an hour’s time she would insist on his seeing a doctor. An hour slipped by, and he was still in the same condition, so a messenger was despatched for a doctor, who speedily put in an appearance.

To the doctor’s inquiries, the patient said he believed he had eaten or drunk something which had upset him. The doctor was of the same opinion, and prescribed accordingly. In the course of the afternoon the Count said he felt somewhat better, and though the hostess tried to dissuade him from doing so, he announced his intention of going out to get a breath of fresh air. He wanted her to accompany him. That she stoutly refused to do; and when she saw he was determined to go she withdrew her opposition, and expressed a hope that he would speedily return. He assured her that he would do so. He said he was going to have a drive in a sledge on the Neva for two or three hours. Having put on his Shuba, his fur gloves, fur-lined boots, and fur cap, he took his departure.

After an absence of about three hours, he returned, and declared that he felt much better. He spent about an hour with the lady in her boudoir, then retired. She was very anxious that Roko should sit up with him, but he resolutely set his face against that, saying that there was not the least necessity for it. He was an exceedingly sound sleeper, and he was sure he would sleep as soundly as usual. About midnight his door was opened silently, as on the previous night, and once again Roko crept stealthily to the bed-table, and emptied the contents of a phial into the barley-tea. Soon after he had withdrawn the Count jumped up, poured the tea into another flask, which he produced from his portmanteau, and then lay down in the bed again until a neighbouring church clock solemnly and slowly tolled out two o’clock. Almost immediately the Count rose, and dressed himself. That done, he took from his portmanteau a revolver, and having examined it to ascertain if it was properly loaded, he lighted a lantern provided with a shutter, to shut off the light when required. Going to the door, he opened it gently, and listened. All was silent. There wasn’t a sound, save that made by the wind, which whistled mournfully through the corridor. Having satisfied himself that nothing human was stirring, the Count proceeded cautiously along the corridor, descended a short flight of stairs to another corridor, along which he passed, and gained the main door that gave access to the street. He opened this door, though not without some difficulty, as there were bolts and chains to be undone, and he worked cautiously for fear of making a noise.

At last all obstacles were removed, and the heavy door swung on its hinges, letting in a blast of icy air, and revealing the brilliant stars that burned like jewels in the cloudless black sky. In a few minutes eight men filed into the house noiselessly, and the door was closed, but chains and bolts were left undone. The men exchanged a few sentences in whispers. Then, following the Count, they proceeded to the sleeping apartment of Madame Julie St. Joseph. In an anteroom, through which it was necessary to pass to reach her room, Roko, enveloped in furs, lay on a couch, locked in sleep. A shaded lamp stood on a bracket against the wall.

Four men remained in this room; the other four and the Count entered the lady’s chamber. Here, again, a shaded lamp burned on a bracket, and close to it an ikon—or sacred picture—hung. The pretty widow was also sleeping. By this time the Count had undergone a strange transformation. His beard and moustache had disappeared, revealing the smooth-shaved, mobile face of Michael Danevitch, the detective. He shook the lady. With a start she awoke. The four policemen had concealed themselves; Danevitch alone was visible. It was some moments before madame realized the situation; then, seeing a strange man by her bedside, she uttered a cry, and called for Roko. He sprang up, and instantly found himself in the grip of two stalwart men, while the revolver under his pillow, which he tried to get, was seized.

‘Madame Julie St. Joseph,’ said Danevitch, ‘get up and dress yourself.’

‘What does this mean?’ she asked, with a look of alarm on her pretty face, as she thrust her hand under the pillow, where she likewise had a revolver concealed. But in an instant Danevitch had seized her wrist in his powerful grasp, and one of his colleagues removed the weapon.

‘It means,’ he answered, ‘that your career of infamy has come to an end. You are under arrest.’

A look of terror and horror swept across her face as she asked in a choked sort of voice:

‘On what grounds am I arrested?’