And with this the old gentleman fell to thinking about a dead mother of his that he remembered ever so much younger than he now was, and looking, not as his mother, but as his daughter should look. The dead young mother was looking at the old man, her child, as she used to look at him so many, many years ago. He stood still as if in a waking dream, his eyes fixed on the drawings till their outlines grew indistinct and they ran into each other, and a pale, sweet face shaped itself out of the glimmering light through which he saw them.

How many drawing-books have you filled,——I said,——since you began to take lessons?——This was the first,——she answered,——since she was here; and it was not full, but there were many separate sheets of large size she had covered with drawings.

I turned over the leaves of the book before us. Academic studies, principally of the human figure. Heads of sibyls, prophets, and so forth. Limbs from statues. Hands and feet from Nature. What a superb drawing of an arm! I don’t remember it among the figures from Michel Angelo, which seem to have been her patterns mainly. From Nature, I think, or after a cast from Nature.——Oh!——

——Your smaller studies are in this, I suppose,——I said, taking up the drawing-book with a lock on it.——Yes,——she said.——I should like to see her style of working on a small scale.——There was nothing in it worth showing,——she said; and presently I saw her try the lock, which proved to be fast. We are all caricatured in it, I haven’t the least doubt. I think, though, I could tell by her way of dealing with us what her fancies were about us boarders. Some of them act as if they were bewitched with her, but she does not seem to notice it much. Her thoughts seem to be on her little neighbor more than on anybody else. The young fellow John appears to stand second in her good graces. I think he has once or twice sent her what the landlady’s daughter calls bó-kays of flowers,——somebody has, at any rate.——I saw a book she had, which must have come from the divinity-student. It had a dreary title-page, which she had enlivened with a fancy portrait of the author,——a face from memory, apparently,——one of those faces that small children loathe without knowing why, and which give them that inward disgust for heaven so many of the little wretches betray, when they hear that these are “good men,” and that heaven is full of such.——The gentleman with the diamond——the Koh-i-noor, so called by us——was not encouraged, I think, by the reception of his packet of perfumed soap. He pulls his purple mustache and looks appreciatingly at Iris, who never sees him as it should seem. The young Marylander, who I thought would have been in love with her before this time, sometimes looks from his corner across the long diagonal of the table, as much as to say, I wish you were up here by me, or I were down there by you,——which would, perhaps, be a more natural arrangement than the present one. But nothing comes of all this,——and nothing has come of my sagacious idea of finding out the girl’s fancies by looking into her locked drawing-book.

Not to give up all the questions I was determined to solve, I made an attempt also to work into the Little Gentleman’s chamber. For this purpose, I kept him in conversation, one morning, until he was just ready to go up stairs, and then, as if to continue the talk, followed him as he toiled back to his room. He rested on the landing and faced round toward me. There was something in his eye which said, Stop there! So we finished our conversation on the landing. The next day, I mustered assurance enough to knock at his door, having a pretext ready.——No answer.——Knock again. A door, as if of a cabinet, was shut softly and locked, and presently I heard the peculiar dead beat of his thick-soled, misshapen boots. The bolts and the lock of the inner door were unfastened,——with unnecessary noise, I thought,——and he came into the passage. He pulled the inner door after him and opened the outer one at which I stood. He had on a flowered silk dressing-gown, such as “Mr. Copley” used to paint his old-fashioned merchant-princes in; and a quaint-looking key in his hand. Our conversation was short, but long enough to convince me that the Little Gentleman did not want my company in his chamber, and did not mean to have it.

I have been making a great fuss about what is no mystery at all,——a school-girl’s secrets and a whimsical man’s habits. I mean to give up such nonsense and mind my own business.——Hark! What the deuse is that odd noise in his chamber?

VIII.

——If Iris does not love this Little Gentleman, what does love look like when one sees it? She follows him with her eyes, she leans over toward him when he speaks, her face changes with the changes of his speech, so that one might think it was with her as with Christabel,——

That all her features were resigned

To this sole image in her mind.