“Your brother,” she had not yet quite the courage to say “my husband,” when speaking of him, especially to Frederick Harper—“your brother thought you were out of town.”

“I?—yes—no. No, it was a mistake. But are you not going in? Good morning!”

In his confusion of mind he was handing her up the steps of Dr. Ianson's door, which they were just passing. Agatha drew back; at first surprised, then alarmed. His strange manner, his face, not merely pale but ghastly, the suppressed agitation of his whole aspect, seemed forewarnings of some ill. It was her first consciousness that she was no longer alone, in herself including alike all her pleasure and all her pain.

“Oh, tell me,” she cried, catching his arm, “is there anything the matter? Where is my husband?”

The quick fear, darting arrow-like to her heart, betrayed whose image lay there nearest and dearest now. Major Harper looked at her, looked and—sighed!

“Don't be afraid,” he said kindly; “all is well with your husband, for aught I know. He is a happy fellow in having some one in the world to be alarmed on his account.”

Agatha blushed deeply, but made no reply. She took her brother-in-law's offered arm, offered with a mechanical courtesy that survived the great discomposure of mind under which he evidently laboured, and turned with him towards home. She was at once puzzled and grieved to see the state he was in, which, deny it and disguise it as he would—and he tried hard to do so—was quite clear to her womanly perception. His laugh was hollow, his step hurried, his eyes wandering from side to side as if he were afraid of being seen. How different from his old cheerful lounge, full of a good-natured conceit, apparently content with himself, and willing that the whole street should gaze their fill at Major Frederick Harper.

So old he looked, too; as if the moment his merry mask of smiles was thrown off, the cruel lurking wrinkles appeared. Agatha pitied him, and felt a return of the old liking, warm and kind, such as it was before the innuendoes of foolish friends had first lured her to distrust the nature of her own innocent feelings, and then changed them into positive contempt and aversion.

She said, with an air of gentle matronly freedom, half sisterly, too, and wholly different from the shy manner of Agatha Bowen to Major Harper:

“You must come home with me. I fear you are ill, or in anxiety. Why did you not tell your brother?” And suddenly she thought of Emma's statement of the morning. But Agatha, in her unworldliness, never supposed such a trivial loss as that of money could make any man so miserable as Major Harper seemed.