She awoke in the morning, as if waking in another world. The clear cold air, thrilled with sunshine, filled her room. It was the “best room,” furnished with a curious mingling of the ancient and the modern. The pretty chintz couch laughed at the oaken, high-backed chair, stiff with a century of worm-eaten state. On either side the fireplace hung two ancient engravings, of Mary Stuart and “bonnie Prince Charlie,” both garnished with verses, at once remarkable for devoted loyalty and eccentric rhythm. Between the two was Sir William Ross's sweet, maidenly portrait of our own Victoria. Opposite, on a shadowed wall, with one sunbeam kissing the face, was a large well-painted likeness, which Olive at once recognised. It was Mrs. Flora Rothesay, at eighteen. No wonder, Olive thought, that she was called “the Flower of Perth.” But strange it was, that the fair flower had been planted in no good man's bosom; that this lovely and winning creature had lived, bloomed, withered—“an old maid.” Olive, looking into the sweet eyes that followed her everywhere—as those of some portraits do—tried to read therein the foreshadowing of a life-history of eighty years. It made her dreamy and sad, so she arose and looked out upon the sunny slopes of the Braid Hills until her cheerfulness returned. Then she descended to the breakfast-table.

It was too early for the old lady to appear, but there were waiting three or four young damsels—invited, they said, to welcome Miss Rothesay, and show her the beauties of Edinburgh. They talked continually of “dear Auntie Mora,” and were most anxious to “call cousins” with Olive herself, who, though she could not at all make out the relationship, was quite ready to take it upon faith. She tried very hard properly to distinguish between the three Miss M'Gillivrays, daughters of Sir Andrew Rothesay's half-sister's son, and Miss Flora Anstruther, the old lady's third cousin and name-child, and especially little twelve-years-old Maggie Oliphant, whose grandfather was Mrs. Flora's nephew on the mother's side, and first cousin ta Alison Balfour.

All these conflicting relationships wrapped Olive in an inexplicable net; but it was woven of such friendly arms that she had no wish to get free. Her heart opened to the loving welcome; and when she took her first walk on Scottish ground, it was with a sensation more akin to happiness than she had felt for many a long month.

“And so you have never before seen your aunt,” said one of the M'Gillivrays;—for her life, Olive could not tell whether it was Miss Jane, Miss Janet, or Miss Marion, though she had tried for half-an-hour to learn the difference. “You like her of course—our dear old Auntie Flora?”

“Aunt to which of you?” said Olive, smiling.

“Oh, she is everybody's Auntie Flora; no one ever calls her anything else,” observed little Maggie Oliphant, who, during all their walk clung tenaciously to Miss Rothesay's hand, as most children were prone to do.

“I think,” said the quiet Miss Anstruther, lifting up her brown eyes, “that in all our lives put together, we will never do half the good that Aunt Flora has done in hers. Papa says, every one of her friends ought to be thankful that she has lived an old maid!”

“Yes, indeed, for who else would have had patience with her cross old brother Sir Andrew, until he died?” said Janet M'Gillivray.

“And who,” added her sister, “would have come and been a mother to us when we lost our own, living with us, and taking care of us for seven long years?”

“I am sure,” cried blithe Maggie, “my brothers and I used often to say, that if Auntie Flora had been young, and any disagreeable husband had come to steal her from us, we would have hooted him away down the street, and pelted him with stones.”