“How very strange,” said Olive, “to think that the interests and duties of a woman's life should sink down into such trifles as these. I wonder if the nuns are happy?”
“Stay and judge, for here comes one, my chief friend here, Sister Ignatia.” And Sister Ignatia—who was, despite her quaint dress, the most bright-eyed, cheerful-looking little Scotchwoman imaginable—stole in, kissed Marion on both cheeks, smiled a pleasant welcome on the stranger, and began talking in a manner so simple and hearty, that Olive's previous notions of a “nun” were cast to the winds. But, after a while, there seemed to her something painfully solemn in looking upon the sister's, where not one outward line marked the inward current which had run on for forty years—how, who could tell? All was silence now.
They went all over the convent. There was a still pureness pervading every room. Now and then a black-stoled figure crossed their way, and vanished like a ghost. Sister Ignatia chattered merrily about their work, their beautiful flowers, and their pupils of the convent school. Happy, very happy, she said they all were at St. Margaret's; but it seemed to Olive like the aimless, thoughtless happiness of a child. Still, when there came across her mind the remembrance of herself—a woman, all alone, struggling with the world, and with her own heart; looking forward to a life's toil for bread and for fame, with which she must try to quench one undying thirst—when she thus thought, she almost longed for such an existence as this quiet monotony, without pleasure and without pain.
“You must come and see our chapel, our beautiful chapel,” said Sister Ignatia. “We have got pictures of our St. Margaret and all her children.” And when they reached the spot—a gilded, decorated, flower-garden temple, she pointed out with great interest the various memorials of the sainted Scottish Queen.
Olive thought, though she did not then say, that noble Margaret, the mother of her people, the softener of her half-savage lord, the teacher and guide of her children, was more near the ideal of womanhood than the simple, kind-hearted, but childish worshippers, who spent their lives in the harmless baby-play of decking her shrine with flowers.
“Yet these are excellent women,” said Marion M'Gillivray, when, on their departure, Olive expressed her thoughts aloud. “You cannot imagine the good they do in their restricted way. But still, if one must lead a solitary life I would rather be Aunt Flora!”
“Yes, a thousand, thousand times! There is something far higher in a woman who goes about the world, keeping her heart consecrated to Heaven, and to some human memories; not shrinking from her appointed work, but doing it meekly and diligently, hour by hour through, life's long day; waiting until at eve God lifts the burden off, saying, 'Faithful handmaid, sleep!'”
Olive spoke softly, but earnestly. Marion did not quite understand her. But she thought everything Miss Rothesay said must be true and good, and was always pleased to watch her the while, declaring that whenever she talked thus her face became “like an angels.”
Miss Rothesay spent the evening very happily, though in the noisy household of the M'Gillivrays. She listened to the elder girls' music, and let the younger tribe of “wee toddling bairnies” climb on her knee and pull her curls. Finally, she began to think that some of these days there would be great pleasure in becoming an universal “Aunt Olive” to the rising generation.
She walked home, escorted valiantly by three stout boys, who guided her by a most circuitous route across Bruntsfield Links, that she might gain a moonlight view of the couchant lion of Arthur's Seat. They amused her the whole way home with tales of High-school warfare. On reaching the garden-gate she was half surprised to hear the unwonted cheerfulness of her own laugh. The sunshine she daily strove to cast around her was falling faintly back upon her own heart.