Late autumn, that season so beautiful in Scotland, was shining into the house at Morningside. She, its mistress, who had there lived from middle life to far-extended years, and then passed from the weakness of age to the renewed youth of immortality, was seen no more within its walls. But her spirit seemed to abide there still; in the flowers which at early spring she had planted, for other hands to gather; in the fountain she had placed, which sang its song of murmuring freshness to soothe many an ear and heart, when she, walking by the streams of living waters, needed those of earth no more.
Mrs. Flora Rothesay was dead; but she had lived one of those holy lives whose influence remains for generations. So, though now her name had gradually ceased from familiar lips, and from her house and garden walks, her image faded slowly in the thoughts of those who best loved her; still she lived, even on earth, in the good deeds she had left behind—in the happiness she had created wherever her own sore-wounded footsteps trod.
In the dwelling from which she had departed there seemed little change. Everything looked as it had done more than a year before, when Olive had come thither, and found rest and peace. There were fewer flowers in the autumnal garden, and the Hermitage woods beyond were all brown and gold; but there was the same clear line of the Braid Hills, their purple slopes lying in the early morning sun. No one looked at them, though, for the breakfast-room was empty. But very soon there stole into it, with the soft footstep of old, with the same quiet smile,—Olive Rothesay.
No, reader! Neither you nor any one else will ever see Olive Rothesay more. She wears on her finger a golden ring, she bears a new name—the well-beloved name.—She is Harold Gwynne's wife now.
To their fortunes Heaven allowed, as Heaven sometimes does, the sweetness of a brave resolve, the joy of finding that it is not needed. Scarcely had Olive and her betrothed prepared to meet their future and go on, faithfully loving, though perhaps unwedded for years, when a change came. They learned that Mrs. Flora Rothesay, by a will made a little before her death, had devised her whole fortune to Harold, on condition that he should take the name of his ancestors on the mother's side, and be henceforth Harold Gordon Gwynne. She made no reservations, save that she wished her house and personal property at Morningside to go to her grand-niece Olive, adding in the will the following sentence:
“I leave her this and no more, that she may understand how deeply I reverenced her true woman's nature, and how dearly I loved herself.”
And Olive did understand all; but she hid the knowledge in her rejoicing heart, both then and always. It was the only secret she ever kept from her husband.
She had been married some weeks only; yet she felt as if the old life had been years gone by, so faint and dreamlike did it seem. Hers was a very quiet marriage—a quiet honeymoon; fit crowning of a love which had been so solemn, almost sad, from its beginning to its end. Its end?—say, rather, its new dawn;—its fulfilment in a deeper, holier bond than is ever dreamed of by girlish sentiment or boyish passion—the still, sacred love of marriage. And, however your modern infidels may doubt, and your free-thinking heart-desecrators scoff, that is the true love—the tie which God created from the beginning, making man and woman to be one flesh, and pronouncing it “good.”
It is good! None can question it who sees the look of peace and full contentment—a look whose like one never beholds in the wide world save then, as it sits smiling on the face of a bride who has married for true love. Very rare it is, indeed—rare as such marriages ever are; but one sees it sometimes;—we saw it, reader, a while since, on a young wife's face, and it made us think of little Olive in her happy home at Morningside.
She stood by the window for a minute or two, her artist-soul drinking in all that was beautiful in the scene; then she went about her little household duties, already grown so sweet. She took care that Mrs. Gwynne's easy-chair was placed in its proper angle by the fire, and that Harold had beside his plate the great ugly scientific book which he always liked to read at breakfast. Indeed, it was a saying of Marion M'Gillivray's—from whose bonnie face the cloud had altogether passed, leaving only a thoughtful gravity meet for a girl who would shortly leave her maiden home for one far dearer—Marion often said that Mr. Gwynne was trying to make his wife as learned as himself, and that his influence was robbing their Scottish Academy of no one knew how many grand pictures. Perhaps it might be—it was a natural and a womanly thing that in her husband's fame Olive should almost forget her own.