Olive: A Novel

by Dinah Maria Mulock Craik

It is nature's blessed ordinance, that in the mind of childhood the remembrance of fear or sorrow fades so fast. Therefore, when Olive regained strength, and saw the house now smiling within and without amidst the beauty of early autumn,—the horrors of death passed from her mind, or were softened into a tender memory. Perhaps, in the end, it was well for her that she had looked on that poor dead face, to be certain that it was not Elspie. She never thought of Elspie in that awful chamber any more. She thought of her as in life, standing knitting by the nursery-window, walking slowly and sedately along the green lanes, carrying the basket of flowers and roots, collected in their rambles, or sitting in calm Sunday afternoons with her Bible on her knee.

And then, passing from the memory of Elspie once on earth, Olive thought of Elspie now in heaven. Her glowing imagination idealised all sorrow into poesy. She never watched the sunset, she never looked up into the starry sky at night, without picturing Elspie as there. All the foibles and peculiarities of her poor old Scottish nurse became transmuted into the image of a guardian invisible, incorporeal; which seemed to draw her own spirit nearer to heaven, with the thought that there was one she loved, and who loved her, in the glorious mansions there.

From the time of her nurse's death, the whole current of Olive's life changed. It cast no shadow over the memory of the deep affection lost, to say that the full tide of living love now flowed towards Mrs. Rothesay as it had never done before, perhaps never would have done but for Elspie's death. And truly the mother's heart now thirsted for that flood.

For seven years the little cloud which appeared when Captain Rothesay returned, had risen up between husband and wife, increasing slowly but surely, and casting a shadow over their married home. Like many another pair who wed in the heat of passion, or the wilful caprice of youth, their characters, never very similar, had grown less so day by day, until their two lives had severed wider and wider. There was no open dissension that the wicked world could take hold of, to glut its eager eyes with the spectacle of an unhappy marriage; but the chasm was there, a gulf of coldness, indifference, and distrust, which no foot of love would ever cross.

Angus Rothesay was a disappointed man. At five-and-twenty he had taken a beautiful, playful, half-educated child,

“His bride and his darling to be,”

forgetting that at thirty-five he should need a sensible woman to be his trustworthy sympathising wife, the careful and thoughtful mistress of his household. When hard experience had made him old and wise, even a little before his time, he came home expecting to find her old and wise too. The hope failed. He found Sybilla as he had left her—a very child. Ductile and loving as she was, he might even then have guided her mind, have formed her character, in fact, have made her anything he liked. But he would not do it; he was too proud. He brooded over his disappointed hope in silence and reserve; and though he reproached her not, and never ceased to love her in his own cold way, yet all respect and sympathy were gone. Her ways were not his ways, and was it the place of a man and a husband to bend? After a few years of struggling, less with her than with himself, he decided that he would take his own separate course, and let her take hers.

He did so. At first she tried to win him back, not with a woman's sweet and placid dignity of love, never failing, never tiring, yet invisible as a rivulet that runs through deep green bushes, scarcely heard and never seen. Sybilla's arts—the only arts she knew—were the whole armoury of girlish coquetry, or childish wile, passionate tenderness and angry or sullen reproach, alternating each other. Her husband was equally unmoved by all. He seemed a very rock, indifferent to either sunshine or storm. And yet it was not so. He had in his nature deep, earnest, abiding tenderness; but he was one of those people who must be loved only in their own quiet, silent way. A hard lesson for one whose every feeling was less a principle than an impulse. Sybilla could not learn it. And thus the happiness of two lives was blighted, not from evil, or even lack of worth in either, but because they did not understand one another. Their current of existence flowed on coldly and evenly, in two parallel lines, which would never, never meet!

The world beheld Captain Rothesay in two phases—one as the grave, somewhat haughty but respected master of Merivale Hall; the other as the rash and daring speculator, who was continually doubling and trebling his fortune by all the thousand ways of legal gambling in which men of capital can indulge. There was in this kind of life an interest and excitement Captain Rothesay rushed to it as many another man would have rushed to far less sinless means of atoning for the dreary blank of home.

In Mrs. Rothesay the world only saw one of its fairest adornments—one of those “charming women” who make society so agreeable; beautiful, kind-hearted—at least as much so as her thoughtless life allowed; lively, fond of amusement—perhaps a little too much, for it caused people to note the contrast between the master and the mistress of the Hall, and to say what no wife should ever give the world reason to say, “Poor thing! I wonder if she is happy with her husband?”