“Do not call it dear. It was a dreary home. I did not think so at first, but I did afterwards.”
“Why, mamma?” asked Olive. She was glad to lure her mother on to talk a little, if only to dispel the shadow which so ill became Mrs. Rothesay's still fair face.
“You were too young to know anything then—indeed, you are now, almost. But, somehow, I have learned to talk with you as if you were quite a little woman, Olive, my dear.”
“Thank you, mamma. And what made you dislike sweet Merivale?”
“It was when your papa first began to take his long journeys—on business you know. He was obliged to do it, I suppose; but, nevertheless, it was very dull for me. I never had such a dreary summer as that one. You could not remember it, though—you were only ten years old.”
Olive did remember it faintly, nevertheless—a time when her father's face was sterner, and her mother's more fretful, than now; when the shadow of many domestic storms passed over the child. But she never spoke of these things; and, lest her mother should ponder painfully on them now, she began to talk of lighter matters. Yet though the sweet companionship of her only daughter was balm to Mrs. Rothesay's heart, still there was a pain there which even Olive could not remove. Was it that the mother's love had sprung from the ruins of the wife's happiness; and that while smiling gaily with her child, Sybilla Rothesay's thoughts were with the husband who, year by year, was growing more estranged, and whom, as she found out too late, by a little more wisdom, patience, and womanly sympathy, she might perhaps have kept for ever at her side?
But none of these mysteries came to the knowledge of little Olive. She lived the dream-life of early girlhood—dwelling in an atmosphere still and pure as a grey spring morning ere the sun has risen. All she learnt was from books; for though she had occasional teachers, she had never been sent to school. Sometimes she regretted this, thinking how pleasant it would be to have companions, or at least one friend, of her own age, to whom she might talk on the various subjects of which she had of late begun to dream. These never passed the still sanctuary of her own thoughts; for some instinct told her that her mother would not sympathise with her fancies. So she thought of them always by herself, when she was strolling about the small but pleasant garden that sloped down from the back of the house to the river; or when, extending her peregrinations, she went to sit in the summer-house of the garden adjoining, which belonged to a large mansion close by, long uninhabited. It was quite a punishment to Olive when a family came to live there, and she lost the use of the beautiful deserted garden.
Still, it was something new to have neighbours. She felt quite a curiosity respecting them, which was not diminished when, looking out one day from the staircase window (a favourite seat, from which every night she watched the sun set), Olive caught sight of the new occupants of her former haunts.
They were two little boys of about nine or ten, playing noisily enough—as boys will. Olive did not notice them much, except the youngest, who appeared much the quieter and gentler of the two; but her gaze rested a long time on a girl, who seemed to be their elder sister. She was walking by herself up and down an alley, with a shawl thrown over her head, and her thick, black hair blown about by the March winds. Olive thought she looked very picturesque—in fact, just like some of her own fantastic designs of “Norna on the Fitful head,” “Medora watching for Conrad,” etc. etc. And when the young stranger drew nearer, her admiration was still further excited, by perceiving under the shawl a face that needed but a little romantic imagination to make it positively beautiful. Olive thought so, and accordingly sat the whole evening drawing it from memory, and putting it into various characters, from Scott, Byron, Moore, and Coleridge.
For several days after, she took a deep interest in watching the family party, and chiefly this young girl—partly because she was so pretty, and partly because she seemed nearly about her own age, or perhaps a year or two older. Olive often contrived to walk in her garden when her neighbours were in theirs—so that she could hear the boys' cheerful voices over the high hedge. By this means she learnt their Christian names, Robert and Lyle—the latter of which she admired very much, and thought it exactly suited the pretty, delicate younger brother. She wished much to find out the name of their sister—but could not; for the elder girl took little notice of them, or they of her. So Olive, after thinking and talking of her for some time, as “my beauty next door,” to Mrs. Rothesay's great amusement, at last christened her by the imaginary name of Maddalena.