One of the charms of much of this class of music is similar to that of a new dance introduced into this country last winter; and it came, too, from the land of Italian opera. Of this dance I will only say that I overheard a buxom lass telling her lady friends "that the new dance was perfectly glorious; but," said she, "it's of no use to put flowers or bows in your bosom, for they get pressed flat enough, long before the first dance is over."

Is it not a simple fact that operatic songs are popular just in proportion as they are indelicate? I have asked this question of more than a score of devotees of the opera. Half of them, perhaps, have said yes, the other half have said that the finest music happened to be associated with naughty words. Read the words of "Un mari sage" without the music. Where, outside of a brothel, could there be found a company of girls, who, with men present, would keep their faces uncovered, and listen.

I wish you would go to the opera with me; I will show you something which will impress you more deeply than any words I can write.

Here we are, so placed, that we can look into the faces of a part of the audience. Let us select a couple, and, with our glasses, watch them.

There is a beautiful black-eyed girl,—the one with that fat, red- faced gentleman. She is about sixteen, and he about thirty. I know him. He is a regular roue, although he has the entree of many of our best homes. His companion seems a modest, sweet girl.

The opera is "Faust," one of the most unclean of the whole unclean batch.

They are both using one and the same libretto, with an English translation. This gives him an opportunity to put his arm behind her, but of course he is careful not to touch her shoulder. But we shall see, when we come to certain parts of the opera.

Now look at them. See the red spots on her cheeks; they tell us of struggling modesty and innocence. The story proceeds; the lascivious gestures, the lecherous gaze of the men and half-naked women on the stage, are beginning to tell upon the whole audience. See our girl. That arm is pressing her against his side, and her eyes are busy with the words, as if she were completely absorbed. When she returns to her home to-night, her mind will be filled with thoughts, of which she will not speak to her mother.

God alone knows the number of pure souls that have been ruined by the insidious poison of the opera.

THE STUDY OF FRENCH.