For convenience in riding, the skirts of the coats were slit up the back to the waist; this slit could be buttoned up if need be.
Now, let us give the dandy of this time his pipe, and let him go in peace. Let us watch him stroll down the street, planting his high heels carefully, to join two companions outside the tobacco shop. Here, by the great carved wood figure of a smoking Indian with his kilt of tobacco leaves, he meets his fellows. From the hoop hung by the door one chooses a pipe, another asks for a quid to chew and a spittoon, the third calls for a paper of snuff newly rasped. Then they pull aside the curtains and go into the room behind the shop, where, seated at a table made of planks upon barrels, they will discuss the merits of smoking, chewing, and snuffing.
‘We three are engaged in one cause,
I snuffs, I smokes, and I chaws.’
THE WOMEN
Let me picture for you a lady of this time in the language of those learned in dress, and you will see how much it may benefit.
‘We see her coming afar off; against the yew hedge her weeds shine for a moment. We see her figuretto gown well looped and puffed with the monte-la-haut. Her échelle is beautiful, and her pinner exquisitely worked. We can see her commode, her top-not, and her fontage, for she wears no rayonné. A silver pin holds her meurtriers, and the fashion suits better than did the crève-cœurs. One hand holds her Saxon green muffetee, under one arm is her chapeau-bras. She is beautiful, she needs no plumpers, and she regards us kindly with her watchet eyes.’
A lady of this date would read this and enjoy it, just as a lady of to-day would understand modern dress language, which is equally peculiar to the mere man. For example, this one of the Queen of Spain’s hats from her trousseau (curiously enough a trousseau is a little bundle):
‘The hat is a paille d’Italie trimmed with a profusion of pink roses, accompanied by a pink chiffon ruffle fashioned into masses bouillonnée arranged at intervals and circled with wreaths of shaded roses.’