English Costume

by Dion Clayton Calthrop

The cotehardie was generally made of a pied cloth in horizontal or diagonal bars, in silk or other rich fabric. With this garment the chaperon (to be more fully described) was worn as a hood; the legs were in tights, and the feet in pointed shoes a little longer than the foot. A pouch or wallet depended from the belt, and a sheath containing two daggers, an anelace, and a misericorde. The pouch was a very rich affair, often of stamped gilded leather or sewn velvet—ornamented, in fact, according to the purse of the wearer. In winter such a man as he of the cotehardie would wear an overcoat with an attached hood. This coat was made in various forms: one form with wide sleeves the same width all the way down, under which were slits in the coat to enable the wearer to place his hands inside, as in the modern Raglan coat-pocket. Another form was made very loose and without sleeves, but with the same slits at the side; it was buckled round the waist on occasion by a broad leather belt, very plain. The common heavy travelling-coat was made in this way, and it was only the very fashionable who wore the houppelande for riding or travelling. Sometimes such a man would wear in winter about the town a cloak fastened over the right shoulder with three or four buttons, leaving the right arm free; such a cloak is seen in the brass of Robert Attelathe, Mayor of Lynn.

In travelling, our gentleman would wear, often in addition to his chaperon, a peaked hat of cloth, high in the crown, with a brim turned up all round, ending in a long peak in front—the same hat that we always associate with Dick Whittington.

His gloves would be of leather, often ornamented with designs on the back, or, if he were a knight, with his badge.

On this occasion he would wear his sword in a baldric, a long belt over his right shoulder and under his left arm, from which hung also his daggers. Although I am not dealing even with personal arms, one must remember, in representing these people, that daggers were almost as necessary a part of dress as boots or shoes, and that personal comfort often depended upon a skilful use of that natty weapon; the misericorde was used to give the coup de grâce.

The farmer in harvest-time wore, if he did not wear a hood, a peaked hat or a round, large-brimmed straw hat.

The Houppelande or Peliçon.

We may now arrive at the fashionable man, whose eccentricities in clothes were the object of much comment. How the houppelande or peliçon actually was originated I do not know, but it came about that men suddenly began to clothe themselves in this voluminous and awkward garment. It was a long loose-fitting robe, made to fit on the shoulders only, having very long loose sleeves, varying according to the whim of the owner. These sleeves were cut at the edges into the forms of leaves or other designs, and were lined, as the houppelande, with fur or silk. It will be seen that such a garment to suit all weathers and temperatures must be made of various materials and lined accordingly. These materials were almost invariably powdered with badges or some other device, sometimes with a flowing pattern embracing an heraldic design or motto. The sleeves turned back disclosed the sleeve of a cotehardie underneath, with the little buttons running from the elbow to the first knuckle of the little finger. The houppelande had a very high collar, coming well up to the middle of the back of the head; it was buttoned up to the chin in front, and the collar was often turned down half-way, the two top buttons being left undone. It was fastened about the middle by a thin leather belt, very long; this was buckled, and the long end turned under and brought over to hang down; the end was ornamented with many devices—figures of saints, heraldic figures, or other ornaments. Sometimes the entire belt was sewn with small devices in precious metal or enamels.

Now, to be in the height of fashion, one either wore the houppelande extremely long in the skirt or extremely short—so short, in fact, as to leave but a frill of it remaining below the waist—leaving the sleeves still their abnormal length. Pretty fads, as tying a dagger round the neck, or allowing it to hang low between the legs, or placing it in the small of the back, were much in vogue.