Approaching the castle Leonardo saw a dwarf; it was Gian Galeazzo's old jester, the only servant who had remained faithful to the dying duke. Recognising the painter, he advanced running and leaping.
'How is His Highness?' asked Leonardo.
The dwarf made no reply, only waved his hands with a gesture of despair; Leonardo directed his horse to the principal entrance, but the other stopped him.
'Nay, not by this road,' said he, 'it hath too many eyes. His Highness prays you to come secretly, for Madonna Isabella would forbid your entry did she know of it. Come by this path.'
They entered by a corner tower, then mounted a stair and traversed apartments once magnificent but now gloomy and deserted. The gilded Cordovan leather had been torn from the walls; the throne and its silken canopy was hung with cobwebs; autumn winds had blown yellow leaves through the broken window panes.
'Thieves! ruffians!' muttered the dwarf, pointing out to his companion these marks of desolation. 'Believe me, Messere, eyes cannot bear to look on the things done here. I would have fled to the uttermost ends of the earth were it not that my lord hath no one to look to but me, his ancient deformity. This way, I pray you, this way.'
Opening a door he introduced Leonardo into a close dark room, heavy with the odour of drugs.
VI
At that moment Gian Galeazzo was being bled: according to the rules of surgery the operation was performed by candle-light, and with closed shutters. The surgeon, or rather the barber, a timid old man, was opening the vein, and his assistant held the brass basin; the physician, a man of grave and impenetrable countenance, wearing spectacles and a hood of dark purple velvet and squirrel's fur, merely watched, for to handle surgical instruments was derogatory to the dignity of a Doctor of Medicine.