BOOK XV
THE HOLY INQUISITION—1506-1513
Know all; but be known of none.
asil the Gnostic.
I
In the year 1507 Leonardo definitely entered the service of Louis XII., established himself at Milan, and went no more to Florence, except for small matters of business.
Four years passed uneventfully.
Towards the close of 1511 Giovanni Boltraffio, who was now a master of repute, was working at a wall-painting in the new Church of San Maurizio. It belonged to the ancient foundation of the Monastero Maggiore, and was built on the ruins of the Roman circus. Beside it, enclosed by a high fence and abutting on the Via Della Vigna, was a neglected garden, and the once splendid but now deserted and ruined palace of the Counts of Carmagnola. The nuns of the Monastero Maggiore had let this house and garden to Messer Galeotto Sacrobosco, the old alchemist, who had lately returned to Milan with Cassandra his niece. Their cottage by the Porta Vercellina having been destroyed at the time of the first French invasion, the pair had wandered for nine years in Greece, the islands of the Archipelago, Asia Minor, and Syria. Strange tales were told of them: Galeotto had found the philosopher's stone; he had appropriated vast sums lent him by the Devâtdâr of Syria for experiments, and had fled for his life. Monna Cassandra, by the help of the devil, had found treasure on the site of an ancient Phœnician temple; she had bewitched, drugged, and plundered a wealthy merchant at Constantinople; at any rate the pair had left Milan beggars, and had returned rich—that much was certain. Pupil of Demetrius Chalcondylas, and also of Sidonia the witch, Cassandra appeared now a devout daughter of the Church. She observed all fasts and ceremonies, she attended the holy offices, and by her charities had acquired the favour not only of the sisters of the Monastero Maggiore, but that of the archbishop himself. Evil tongues, however, declared that her religion was a pretence, that she was still a pagan, that she and her uncle had only escaped the Inquisition by flight from Rome, and that sooner or later she was certain to be burned at the stake. Messer Galeotto still reverenced Leonardo, and considered him his master in the occult wisdom of Hermes Trismegistus. The alchemist had collected many rare books in the course of his travels; for the most part those of Alexandrian scholars of Ptolemaic times. Leonardo borrowed these sometimes, and generally sent Giovanni to fetch them, since he was working close to the alchemist's house. As had happened before, Giovanni fell under the spell of Cassandra, and his visits became more frequent. At first she spoke to him guardedly, acting up to her part of repentant sinner, and expressing a desire to take the veil. Little by little she dismissed her fears, and became confidential. They recalled their meetings of ten years ago, when they had both been little more than children—the lonely terrace above the quiet Cantarana, the walls of the Convent of St. Radegonda; especially that sultry evening when she had spoken to him of the Resurrection of the Gods, and had invited him to the Witches' Sabbath. Now she lived as a recluse; was ill, or pretended to be so; and when she was not at church she hid herself in a remote secluded dark chamber, where the windows looked out on the neglected garden, densely shadowed by cypress trees. The room was furnished like a library or a museum. Here were the antiquities she had brought from the East; fragments of statues, dog-headed gods of black syenite from Egypt, mysterious stones upon which was incised the magic word Abraxas, signifying the three hundred and sixty-five celestial spheres of the Gnostics; precious Byzantine parchments, which time had rendered hard as ivory; fragments from Greek manuscripts, hopelessly lost; earthen shards, with cuneiform Assyrian inscriptions; books of the Persian magi, clasped with iron; Memphian papyri, transparent and thin as the petals of a flower.
Cassandra told Giovanni of the wonders she had seen; of the desolate grandeur of marble temples standing on sea-worn cliffs, at their feet the blue Ionian waves, their columns bedewed with the brine, like the naked body of the foam-born goddess long ago. She told of her incredible exertions, dangers, accidents. He asked her what she had sought, why she had collected these things at the cost of so much toil, and she answered in the words of Luigi her father:—
'To bring the dead to life.'
And her eyes glowed with the fire that had belonged to Cassandra, the witch of days gone by.