And then I thinks, suppose she IS ketched at it? What of it? Ain't a woman got a right to come into her own house with her own door key, even if they is a quarantine onto it, and see her kids? And if she is ketched seeing them, how would any one know she was going to run off? And ain't she got a right to have a friend of hern and her husband's bring her over from her mother's house, even if it is a little late?

Then I seen she wasn't taking no great risks neither, and I thinks mebby I better go and tell that perfessor what is going on, fur he has treated me purty white. And then I thinks: "I'll be gosh-derned if I meddle. So fur as I can see that there perfessor ain't getting fur from what's coming to him, nohow. And as fur HER, you got to let some people find out what they want fur theirselves. Anyhow, where do I come in at?"

But I want to get a look at her and Henry, anyhow. So I eases off my shoes, careful-like, and I eases acrost the floor to them sliding doors, and I puts my eye down to the little crack. The talk is going backward and forward between them two, him wanting her to come away quick, and her undecided whether to risk seeing the kids. And all the time she's kind o' hoping mebby she will be ketched if she tries to see the kids, and she's begging off fur more time ginerally.

Well, sir, I didn't blame that musician feller none when I seen her. She was a peach.

And I couldn't blame her so much, neither, when I thought of Miss Estelle and all them scientifics of the perfessor's strung out fur years and years world without end.

Yet, when I seen the man, I sort o' wished she wouldn't. I seen right off that Henry wouldn't do. It takes a man with a lot of gumption to keep a woman feeling good and not sorry fur doing it when he's married to her. But it takes a man with twicet as much to make her feel right when they ain't married. This feller wears one of them little, brown, pointed beards fur to hide where his chin ain't. And his eyes is too much like a woman's. Which is the kind that gets the biggest piece of pie at the lunch counter and fergits to thank the girl as cuts it big. She was setting in front of a table, twisting her fingers together, and he was walking up and down. I seen he was mad and trying not to show it, and I seen he was scared of the smallpox and trying not to show that, too. And jest about that time something happened that kind o' jolted me.

They was one of them big chairs in the room where they was that has got a high back and spins around on itself. It was right acrost from me, on the other side of the room, and it was facing the front window, which was a bow window. And that there chair begins to turn, slow and easy. First I thought she wasn't turning. Then I seen she was. But Jane and Henry didn't. They was all took up with each other in the middle of the room, with their backs to it.

Henry is a-begging of Jane, and she turns a little more, that chair does. Will she squeak, I wonders?

"Don't you be a fool, Jane," says the Henry feller.

Around she comes three hull inches, that there chair, and nary a squeak.