All the younger gods, who displaced the elder gods as one year displaces another, were deities of fertility, battle, lightning, fire, and the sun; it is possible, therefore, that Ashur was like Merodach, son of Ea, god of the deep, a form of Tammuz in origin. His spirit was in the solar wheel which revolved at times of seasonal change. In Scotland it was believed that on the morning of May Day (Beltaine) the rising sun revolved three times. The younger god was a spring sun god and fire god. Great bonfires were lit to strengthen him, or as a ceremony of riddance; the old year was burned out. Indeed the god himself might be burned (that is, the old god), so that he might renew his youth. Melkarth was burned at Tyre. Hercules burned himself on a mountain top, and his soul ascended to heaven as an eagle.
These fiery rites were evidently not unknown in Babylonia and Assyria. When, according to Biblical narrative, Nebuchadnezzar "made an image of gold" which he set up "in the plain of Dura, in the province of Babylon", he commanded: "O people, nations, and languages... at the time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of musick... fall down and worship the golden image". Certain Jews who had been "set over the affairs of the province of Babylonia", namely, "Shadrach, Meshach, and Abed-nego", refused to adore the idol. They were punished by being thrown into "a burning fiery furnace", which was heated "seven times more than it was wont to be heated". They came forth uninjured.[[397]]
In the Koran it is related that Abraham destroyed the images of Chaldean gods; he "brake them all in pieces except the biggest of them; that they might lay the blame on that".[[398]] According to the commentators the Chaldaeans were at the time "abroad in the fields, celebrating a great festival". To punish the offender Nimrod had a great pyre erected at Cuthah. "Then they bound Abraham, and putting him into an engine, shot him into the midst of the fire, from which he was preserved by the angel Gabriel, who was sent to his assistance." Eastern Christians were wont to set apart in the Syrian calendar the 25th of January to commemorate Abraham's escape from Nimrod's pyre.[[399]]
It is evident that the Babylonian fire ceremony was observed in the spring season, and that human beings were sacrificed to the sun god. A mock king may have been burned to perpetuate the ancient sacrifice of real kings, who were incarnations of the god.
Isaiah makes reference to the sacrificial burning of kings in Assyria: "For through the voice of the Lord shall the Assyrian be beaten down, which smote with a rod. And in every place where the grounded staff shall pass, which the Lord shall lay upon him, it shall be with tabrets and harps: and in battles of shaking will he fight with it. For Tophet is ordained of old; yea, for the king it is prepared: he hath made it deep and large: the pile thereof is fire and much wood: the breath of the Lord, like a stream of brimstone, doth kindle it."[[400]] When Nineveh was about to fall, and with it the Assyrian Empire, the legendary king, Sardanapalus, who was reputed to have founded Tarsus, burned himself, with his wives, concubines, and eunuchs, on a pyre in his palace. Zimri, who reigned over Israel for seven days, "burnt the king's house over him with fire"[[401]]. Saul, another fallen king, was burned after death, and his bones were buried "under the oak in Jabesh".[[402]] In Europe the oak was associated with gods of fertility and lightning, including Jupiter and Thor. The ceremony of burning Saul is of special interest. Asa, the orthodox king of Judah, was, after death, "laid in the bed which was filled with sweet odours and divers kinds of spices prepared by the apothecaries' art: and they made a very great burning for him" (2 Chronicles, xvi, 14). Jehoram, the heretic king of Judah, who "walked in the way of the kings of Israel", died of "an incurable disease. And his people made no burning for him like the burning of his fathers" (2 Chronicles, xxi, 18, 19).
The conclusion suggested by the comparative study of the beliefs of neighbouring peoples, and the evidence afforded by Assyrian sculptures, is that Ashur was a highly developed form of the god of fertility, who was sustained, or aided in his conflicts with demons, by the fires and sacrifices of his worshippers.
It is possible to read too much into his symbols. These are not more complicated and vague than are the symbols on the standing stones of Scotland--the crescent with the "broken" arrow; the trident with the double rings, or wheels, connected by two crescents; the circle with the dot in its centre; the triangle with the dot; the large disk with two small rings on either side crossed by double straight lines; the so-called "mirror", and so on. Highly developed symbolism may not indicate a process of spiritualization so much, perhaps, as the persistence of magical beliefs and practices. There is really no direct evidence to support the theory that the Assyrian winged disk, or disk "with protruding rays", was of more spiritual character than the wheel which encloses the feather-robed archer with his trident-shaped arrow.
The various symbols may have represented phases of the god. When the spring fires were lit, and the god "renewed his life like the eagle", his symbol was possibly the solar wheel or disk with eagle's wings, which became regarded as a symbol of life. The god brought life and light to the world; he caused the crops to grow; he gave increase; he sustained his worshippers. But he was also the god who slew the demons of darkness and storm. The Hittite winged disk was Sandes or Sandon, the god of lightning, who stood on the back of a bull. As the lightning god was a war god, it was in keeping with his character to find him represented in Assyria as "Ashur the archer" with the bow and lightning arrow. On the disk of the Assyrian standard the lion and the bull appear with "the archer" as symbols of the war god Ashur, but they were also symbols of Ashur the god of fertility.
The life or spirit of the god was in the ring or wheel, as the life of the Egyptian and Indian gods, and of the giants of folk tales, was in "the egg". The "dot within the circle", a widespread symbol, may have represented the seed within "the egg" of more than one mythology, or the thorn within the egg of more than one legendary story. It may be that in Assyria, as in India, the crude beliefs and symbols of the masses were spiritualized by the speculative thinkers in the priesthood, but no literary evidence has survived to justify us in placing the Assyrian teachers on the same level as the Brahmans who composed the Upanishads.
Temples were erected to Ashur, but he might be worshipped anywhere, like the Queen of Heaven, who received offerings in the streets of Jerusalem, for "he needed no temple", as Professor Pinches says. Whether this was because he was a highly developed deity or a product of folk religion it is difficult to decide. One important fact is that the ruling king of Assyria was more closely connected with the worship of Ashur than the king of Babylonia was with the worship of Merodach. This may be because the Assyrian king was regarded as an incarnation of his god, like the Egyptian Pharaoh. Ashur accompanied the monarch on his campaigns: he was their conquering war god. Where the king was, there was Ashur also. No images were made of him, but his symbols were carried aloft, as were the symbols of Indian gods in the great war of the Mahabharata epic.