The freckled cowslip, burnet, and green clover.”
What a wondrous light upon all the landscape along all the courses of his country journeyings! Nor can I forbear to tell how such illumination once made gay for me all the long foot-tramp from Chipping-Norton to Stratford—past Long Compton, and past Shipston (with lunch at the “Royal George”)—past Atherton Church, and thence along the lovely Stour banks, and some weary miles of grassy level, till the spire of Trinity rose shimmering in the late sunlight; afterward copses of elms, and willows clearly distinguishable, and throwing afternoon shadows on the silvery stretch of the Avon; then came sight of lazy boats, and of Clopton bridge, over which I strolled foot-weary, into streets growing dim in the twilight; coming thus, by a traveller’s chance, into the court of the Red-Horse Tavern, and into its little back-parlor, where after dinner one was served by the gracious hostess with a copy of Irving’s “Sketch Book” (its Stratford chapter all tattered and thumb-worn). In short, I had the rare good fortune to stumble upon the very inn where Geoffrey Crayon was quartered twenty odd years before, and was occupying, for the nonce, the very parlor where he had thrust his feet into slippers, made a sceptre of the poker, and enjoyed the royalties of “mine inn.”
Shakespeare in London.
But how fares our runaway Shakespeare in London? What is he to do there? We do not positively know that he had a solitary acquaintance established in the city; certainly not one of a high and helping position. He was not introduced, as Spenser had been, by Sir Philip Sidney and by Raleigh to the favor of the Queen. He has no literary backing of the colleges, or of degrees, or of learned associates; nay, not being so high placed, or so well placed, but that his townsmen of most respectability shook their heads at mention of him.
But he has heard the strolling players; perhaps has journeyed up in their trail; he has read broadsides, very likely, from London; we may be sure that he has tried his hand at verses, too, in those days when he went courting to the Hathaway cottage. So he drifts to the theatres, of which there were three at least established, when he first trudged along the Strand toward Blackfriars. He gets somewhat to do in connection with them; precisely what that is, we do not know. But he comes presently to be enrolled as player, taking old men’s parts that demand feeling and dignity. We know, too, that he takes to the work of mending plays, and splicing good parts together. Sneered at very likely, by the young fellows from the universities who are doing the same thing, and may be, writing plays of their own; but lacking Shakespeare’s instinct as to what will take hold of the popular appetite, or rather—let us say—what will touch the human heart.
There are poems, too, that he writes early in this town life of his, dedicated to that Earl of Southampton[16] of whom I have already spoken, and into whose good graces he has somehow fallen. But the Earl is eight or ten years his junior, a mere boy in fact, just from Cambridge, strangely attracted by this high-browed, blue-eyed, sandy-haired young fellow from Stratford, who has shown such keenness and wondrous insight.
Would you hear a little bit of what he wrote in what he calls the “first heir of my invention?” It is wonderfully descriptive of a poor hare who is hunted by hounds; which he had surely seen over and again on the Oxfordshire or Cotswold downs:
“Sometimes he runs among a flock of sheep,
To make the cunning hounds mistake their smell,