We take outlook to-day from the threshold of the seventeenth century. Elizabeth is dead (1603), but not England. The powers it had grown to under her quickening offices are all alive. The great Spanish dragon has its teeth drawn; Cadiz has been despoiled, and huge galleons, gold-laden, have come trailing into Devon ports. France is courteously friendly. Holland and England are in leash, as against the fainter-growing blasts of Popedom. In Ireland, Tyrone has been whipped into bloody quietude. A syndicate of London merchants, dealing in pepper and spices, has made the beginnings of that East-Indian empire which gives to the present British sovereign her proudest title. London is growing apace in riches and in houses; though her shipping counts for less than the Dutch shipping, great cargoes come and go through the Thames—spices from the East, velvets and glass from the Mediterranean, cloths from the Baltic. Cheapside is glittering with the great array of goldsmiths’ shops four stories high, and new painted and new gilded (in 1594) by Sir Richard Martin, Mayor. The dudes of that time walk and “publish” their silken suits there, and thence through all the lanes leading to Paul’s Walk—which is, effectively, the aisle of the great church. There are noblemen who have tall houses in the city and others who have built along the Strand, with fine grounds reaching to the river and looking out upon the woods which skirt the bear-gardens of Bankside in Southwark. The river is all alive with boats—wherries, barges, skiffs. There are no hackney carriages as yet for hire; but rich folks here and there rumble along the highways in heavy Flemish coaches.
Some of the great lights we have seen in the intellectual firmament of England have set. Burleigh is gone; Hooker is gone, in the prime of his years; Spenser gone, Marlowe gone, Sidney gone. But enough are left at the opening of the century and at the advent of James (1603) to keep the great trail of Elizabethan literary splendors all aglow. George Chapman (of the Homer) is alive and active; and so are Raleigh, and Francis Bacon, and Heywood, and Dekker, and Lodge. Shakespeare is at his best, and is acting in his own plays at the newly built Globe Theatre. Michael Drayton is in full vigor, plotting and working at the tremendous poem from which we culled—in advance—a pageful of old English posies. Ben Jonson, too, is all himself, whom we found a giant and a swaggerer, yet a man of great learning and capable of the delicious bits of poesy which I cited. You will further remember how we set right the story of poor Amy Robsart—told of the great Queen’s vanities—of her visitings—of her days of illness—and of the death of the last sovereign of the name of Tudor.
The Stuart Line.
Henceforth, for much time to come, we shall meet—when we encounter British royalty at all—with men of the house of Stuart. But how comes about this shifting of the thrones from the family of Tudor to the family of Stuart? I explained in a recent chapter how the name of Tudor became connected with the crown, by the marriage of a Welsh knight—Owen Tudor—with Katharine, widow of Henry V. Now let us trace, if we can, this name of Stuart. Henry VII. was a Tudor, and so was Henry VIII.; so were his three children who succeeded him—Edward, the bigot Mary, and Elizabeth; no one of these, however, left direct heirs; but Henry VIII. had a sister, Margaret, who married James IV. of Scotland. This James was a lineal descendant of a daughter of Robert Bruce, who had married Walter Stuart, the chief of a powerful Scotch family. That James I. of whom I have spoken, who was a delicate poet, and so long a prisoner in Windsor Tower, was great-grandson of this Stuart-daughter of Robert Bruce. And from him—that is from James I.—was directly descended James IV., who married the sister of Henry VIII. James IV. had a son, succeeding him, called James V. who by a French marriage, became the father of that Frenchy queen, poor Marie of Scotland, who suffered at Fotheringay, and who had married her cousin, Henry Darnley (he also having Stuart blood), by whom she had a son, James Stuart—being James VI. of Scotland and James I. of England, who now succeeds Elizabeth.
This strong Scotch strain in the Stuart line of royalty will explain, in a certain degree, how ready so clannish a people as the Scotch were to join insurrection in favor of the exiled Stuarts; a readiness you will surely remember if you have read Waverley and Redgauntlet. And in further confirmation of this clannish love, you will recall the ever-renewed and gossipy boastfulness with which the old Scotch gentlewoman, Lady Margaret Bellenden, in Old Mortality, tells over and over of the morning when his most gracious majesty Charles II. partook of his disjune at Tillietudlem Castle.
But we have nothing to do with so late affairs now, and I have only made this diversion into Scotland to emphasize the facts about the Stuart affiliation to the throne of England, and the reasons for Scotch readiness to fling caps in the air for King Charlie or for the Pretender.
James I.
And now what sort of person was this James Stuart, successor to Elizabeth? He was a man in his thirty-eighth year, who had been a king—or called a king, of Scotland—ever since he was a baby of twelve months old; and in many matters he was a baby still. He loved bawbles as a child loves its rattle; loved bright feathers too—to dress his cap withal; was afraid of a drawn sword and of hobgoblins. He walked, from some constitutional infirmity, with the uncertain step of a child—swaying about in a ram-shackle way—steadying himself with a staff or a hold upon the shoulder of some attendant. He slobbered when he ate, so that his silken doublet—quilted to be proof against daggers—was never of the cleanest. He had a big head and protruding eyes, and would laugh and talk broad Scotch with a blundering and halting tongue, and crack unsavory jokes with his groom or his barber.
Yet he had a certain kindness of heart; he hated to see suffering, though he had no objection to suffering he did not see; the sight of blood almost made him faint; his affection for favorites sometimes broke out into love-sick drivel. Withal he had an acute mind; he had written bad poems, before he left Scotland, calling himself modestly a royal apprentice at that craft. He had a certain knack at logical fence and loved to argue a man to death; he had power of invective, as he showed in his Counterblast to Tobacco—of which I will give a whiff by and by. He had languages at command, and loved to show it; for he had studied long and hard in his young days, under that first and best of Scotch scholars and pedagogues—George Buchanan. He had, in general, a great respect for sacred things, and for religious observances—which did not prevent him, in his moments of petulant wrath or of wine-y exaltation, from swearing with a noisy vehemence. Lord Herbert of Cherbury—elder brother of the poet Herbert, and English ambassador to France—wittily excused this habit of his sovereign, by saying he was too kind to anathematize men himself, and therefore asked God to do so.