When the merry bells ring round
And the jocund rebecks sound
To many a youth and many a maid
Dancing in the chequered shade;
And young and old come forth to play
On a sunshine holiday.”
In reading such verse we do not know where to stop—at least, I do not. He writes, too, in that country quietude, within sight of Windsor forest, his charming “Lycidas,” one of the loveliest of memorial poems, and the “Comus,” which alone of all the masques of that time, and preceding times, has gone in its entirety into the body of living English literature.
In 1638, then thirty years old, equipped in all needed languages and scholarship, he goes for further study and observation to the Continent; he carries letters from Sir Henry Wotton; he sees the great Hugo Grotius at Paris; sees the sunny country of olives in Provence; sees the superb front of Genoa piling out from the blue waters of the Mediterranean; sees Galileo at Florence—the old philosopher too blind to study the face of the studious young Englishman that has come so far to greet him. He sees, too, what is best and bravest at Rome; among the rest St. Peter’s, just then brought to completion, and in the first freshness of its great tufa masonry. He is fêted by studious young Italians; has the freedom of the Accademia della Crusca; blazes out in love sonnets to some dark-eyed signorina of Bologna; returns by Venice, and by Geneva where he hobnobs with the Diodati friends of his old school-fellow, Charles Diodati; and comes home to England to find changes brewing—the Scotch marching over the border with battle-drums—the Long Parliament portending—Strafford and Laud in way of impeachment—his old father drawing near to his end—and bloody war tainting all the air.
The father’s fortune, never large, is found crippled at his death; and Milton, now thirty-two, must look out for his own earnings. He takes a house; first in Fleet Street, then near Aldersgate, with garden attached, where he has three or four pupils; his nephew Phillips[58] among them.