Reveries of a Bachelor; or, A Book of the Heart

by Donald Grant Mitchell

Standing apart, and with a bench on either side of the entrance, is the inn of the Eagle and the Falcon—which guardian birds, some native Dick Tinto has pictured upon the swinging signboard at the corner. The hostess is half ready to embrace me, and treats me like a prince in disguise. She shows me through the tap-room into a little parlor, with white curtains, and with neatly framed prints of the old patriarchs. Here, alone beside a brisk fire, kindled with furze, I watch the white flame leaping playfully through the black lumps of coal, and enjoy the best fare of the Eagle and the Falcon. If too late, or too early for her garden stock, the hostess bethinks herself of some small pot of jelly in an out-of-the-way cupboard of the house, and setting it temptingly in her prettiest dish, she coyly slips it upon the white cloth, with a modest regret that it is no better; and a little evident satisfaction—that it is so good.

I muse for an hour before the glowing fire, as quiet as the cat that has come in, to bear me company; and at bedtime, I find sheets, as fresh as the air of the mountains.

At another time, and many months later, I am walking under a wood of Scottish firs. It is near nightfall, and the fir tops are swaying, and sighing hoarsely, in the cool wind of the Northern Highlands. There is none of the smiling landscape of England about me; and the crags of Edinburgh and Castle Stirling, and sweet Perth, in its silver valley, are far to the southward. The larches of Athol and Bruar Water, and that highland gem—Dunkeld, are passed. I am tired with a morning’s tramp over Culloden Moor; and from the edge of the wood there stretches before me, in the cool gray twilight, broad fields of heather. In the middle, there rise against the night-sky, the turrets of a castle; it is Castle Cawdor, where King Duncan was murdered by Macbeth.

The sight of it lends a spur to my weary step; and emerging from the wood, I bound over the springy heather. In an hour, I clamber a broken wall, and come under the frowning shadows of the castle. The ivy clambers up here and there, and shakes its uncropped branches, and its dried berries over the heavy portal. I cross the moat, and my step makes the chains of the drawbridge rattle. All is kept in the old state; only in lieu of the warder’s horn, I pull at the warder’s bell. The echoes ring, and die in the stone courts; but there is no one astir, nor is there a light at any of the castle windows. I ring again, and the echoes come, and blend with the rising night wind that sighs around the turrets, as they sighed that night of murder. I fancy—it must be a fancy—that I hear an owl scream; I am sure that I hear the crickets cry.

I sit down upon the green bank of the moat; a little dark water lies in the bottom. The walls rise from it gray and stern in the deepening shadows. I hum chance passages of Macbeth, listening for the echoes—echoes from the wall; and echoes from that far-away time, when I stole the first reading of the tragic story.

“Did’st thou not hear a noise?

I heard the owl scream, and the crickets cry.

Did you not speak?

When?

Now.