This attempt to throw off the German bondage did not lead to intellectual independence. During Peter's violent reforms Russia had ruthlessly thrown away her own historic past with whatever germs it contained, and now she possessed none of the elements of a genuine national culture. She was in the position of a fugitive who has escaped from slavery, and, finding himself in danger of starvation, looks about for a new master. The upper classes, who had acquired a taste for foreign civilisation, no sooner threw off everything German than they sought some other civilisation to put in its place. And they could not long hesitate in making a choice, for at that time all who thought of culture and refinement turned their eyes to Paris and Versailles. All that was most brilliant and refined was to be found at the Court of the French kings, under whose patronage the art and literature of the Renaissance had attained their highest development. Even Germany, which had resisted the ambitious designs of Louis XIV., imitated the manners of his Court. Every petty German potentate strove to ape the pomp and dignity of the Grand Monarque; and the courtiers, affecting to look on everything German as rude and barbarous, adopted French fashions, and spoke a hybrid jargon which they considered much more elegant than the plain mother tongue. In a word, Gallomania had become the prevailing social epidemic of the time, and it could not fail to attack and metamorphose such a class as the Russian Noblesse, which possessed few stubborn deep-rooted national convictions.
At first the French influence was manifested chiefly in external forms—that is to say, in dress, manners, language, and upholstery—but gradually, and very rapidly after the accession of Catherine II., the friend of Voltaire and the Encyclopaedists, it sank deeper. Every noble who had pretensions to being "civilised" learned to speak French fluently, and gained some superficial acquaintance with French literature. The tragedies of Corneille and Racine and the comedies of Moliere were played regularly at the Court theatre in presence of the Empress, and awakened a real or affected enthusiasm among the audience. For those who preferred reading in their native language, numerous translations were published, a simple list of which would fill several pages. Among them we find not only Voltaire, Rousseau, Lesage, Marmontel, and other favourite French authors, but also all the masterpieces of European literature, ancient and modern, which at that time enjoyed a high reputation in the French literary world—Homer and Demosthenes, Cicero and Virgil, Ariosto and Camoens, Milton and Locke, Sterne and Fielding.
It is related of Byron that he never wrote a description whilst the scene was actually before him; and this fact points to an important psychological principle. The human mind, so long as it is compelled to strain the receptive faculties, cannot engage in that "poetic" activity—to use the term in its Greek sense—which is commonly called "original creation." And as with individuals, so with nations. By accepting in a lump a foreign culture a nation inevitably condemns itself for a time to intellectual sterility. So long as it is occupied in receiving and assimilating a flood of new ideas, unfamiliar conceptions, and foreign modes of thought, it will produce nothing original, and the result of its highest efforts will be merely successful imitation. We need not be surprised therefore to find that the Russians, in becoming acquainted with foreign literature, became imitators and plagiarists. In this kind of work their natural pliancy of mind and powerful histrionic talent made them wonderfully successful. Odes, pseudo-classical tragedies, satirical comedies, epic poems, elegies, and all the other recognised forms of poetical composition, appeared in great profusion, and many of the writers acquired a remarkable command over their native language, which had hitherto been regarded as uncouth and barbarous. But in all this mass of imitative literature, which has since fallen into well-merited oblivion, there are very few traces of genuine originality. To obtain the title of the Russian Racine, the Russian Lafontaine, the Russian Pindar, or the Russian Homer, was at that time the highest aim of Russian literary ambition.
Together with the fashionable literature the Russian educated classes adopted something of the fashionable philosophy. They were peculiarly unfitted to resist that hurricane of "enlightenment" which swept over Europe during the latter half of the eighteenth century, first breaking or uprooting the received philosophical systems, theological conceptions, and scientific theories, and then shaking to their foundations the existing political and social institutions. The Russian Noblesse had neither the traditional conservative spirit, nor the firm, well-reasoned, logical beliefs which in England and Germany formed a powerful barrier against the spread of French influence. They had been too recently metamorphosed, and were too eager to acquire a foreign civilisation, to have even the germs of a conservative spirit. The rapidity and violence with which Peter's reforms had been effected, together with the peculiar spirit of Greek Orthodoxy and the low intellectual level of the clergy, had prevented theology from associating itself with the new order of things. The upper classes had become estranged from the beliefs of their forefathers without acquiring other beliefs to supply the place of those which had been lost. The old religious conceptions were inseparably interwoven with what was recognised as antiquated and barbarous, whilst the new philosophical ideas were associated with all that was modern and civilised. Besides this, the sovereign, Catherine II., who enjoyed the unbounded admiration of the upper classes, openly professed allegiance to the new philosophy, and sought the advice and friendship of its high priests. If we bear in mind these facts we shall not be surprised to find among the Russian nobles of that time a considerable number of so-called "Voltaireans" and numerous unquestioning believers in the infallibility of the Encyclopedie. What is a little more surprising is, that the new philosophy sometimes found its way into the ecclesiastical seminaries. The famous Speranski relates that in the seminary of St. Petersburg one of his professors, when not in a state of intoxication, was in the habit of preaching the doctrines of Voltaire and Diderot!
The rise of the sentimental school in Western Europe produced an important change in Russian literature, by undermining the inordinate admiration for the French pseudo-classical school. Florian, Richardson, Sterne, Rousseau, and Bernardin de St. Pierre found first translators, and then imitators, and soon the loud-sounding declamation and wordy ecstatic despair of the stage heroes were drowned in the deep-drawn sighs and plaintive wailings of amorous swains and peasant-maids forsaken. The mania seems to have been in Russia even more severe than in the countries where it originated. Full-grown, bearded men wept because they had not been born in peaceful primitive times, "when all men were shepherds and brothers." Hundreds of sighing youths and maidens visited the scenes described by the sentimental writers, and wandered by the rivers and ponds in which despairing heroines had drowned themselves. People talked, wrote, and meditated about "the sympathy of hearts created for each other," "the soft communion of sympathetic souls," and much more of the same kind. Sentimental journeys became a favourite amusement, and formed the subject of very popular books, containing maudlin absurdities likely to produce nowadays mirth rather than tears. One traveller, for instance, throws himself on his knees before an old oak and makes a speech to it; another weeps daily on the grave of a favourite dog, and constantly longs to marry a peasant girl; a third talks love to the moon, sends kisses to the stars, and wishes to press the heavenly orbs to his bosom! For a time the public would read nothing but absurd productions of this sort, and Karamzin, the great literary authority of the time, expressly declared that the true function of Art was "to disseminate agreeable impressions in the region of the sentimental."
The love of French philosophy vanished as suddenly as the inordinate admiration of the French pseudo-classical literature. When the great Revolution broke out in Paris the fashionable philosophic literature in St. Petersburg disappeared. Men who talked about political freedom and the rights of man, without thinking for a moment of limiting the autocratic power or of emancipating their serfs, were naturally surprised and frightened on discovering what the liberal principles could effect when applied to real life. Horrified by the awful scenes of the Terror, they hastened to divest themselves of the principles which led to such results, and sank into a kind of optimistic conservatism that harmonised well with the virtuous sentimentalism in vogue. In this the Empress herself gave the example. The Imperial disciple and friend of the Encyclopaedists became in the last years of her reign a decided reactionnaire.
During the Napoleonic wars, when the patriotic feelings were excited, there was a violent hostility to foreign intellectual influence; and feeble intermittent attempts were made to throw off the intellectual bondage. The invasion of the country in 1812 by the Grande Armee, and the burning of Moscow, added abundant fuel to this patriotic fire. For some time any one who ventured to express even a moderate admiration for French culture incurred the risk of being stigmatised as a traitor to his country and a renegade to the national faith. But this patriotic fanaticism soon evaporated, and exaggerations of the ultra-national party became the object of satire and parody. When the political danger was past, and people resumed their ordinary occupations, those who loved foreign literature returned to their old favourites—or, as the ultra-patriots called it, to their "wallowing in the mire"—simply because the native literature did not supply them with what they desired. "We are quite ready," they said to their upbraiders, "to admire your great works as soon as they appear, but in the meantime please allow us to enjoy what we possess." Thus in the last years of the reign of Alexander I. the patriotic opposition to West European literature gradually ceased, and a new period of unrestricted intellectual importation began.
The intellectual merchandise now brought into the country was very different from that which had been imported in the time of Catherine. The French Revolution, the Napoleonic domination, the patriotic wars, the restoration of the Bourbons, and the other great events of that memorable epoch, had in the interval produced profound changes in the intellectual as well as the political condition of Western Europe. During the Napoleonic wars Russia had become closely associated with Germany; and now the peculiar intellectual fermentation which was going on among the German educated classes was reflected in the society of St. Petersburg. It did not appear, indeed, in the printed literature, for the Press-censure had been recently organised on the principles laid down by Metternich, but it was none the less violent on that account. Whilst the periodicals were filled with commonplace meditations on youth, spring, the love of Art, and similar innocent topics, the young generation was discussing in the salons all the burning questions which Metternich and his adherents were endeavouring to extinguish.
These discussions, if discussions they might be called, were not of a very serious kind. In true dilettante style the fashionable young philosophers culled from the newest books the newest thoughts and theories, and retailed them in the salon or the ballroom. And they were always sure to find attentive listeners. The more astounding the idea or dogma, the more likely was it to be favourably received. No matter whether it came from the Rationalists, the Mystics, the Freemasons, or the Methodists, it was certain to find favour, provided it was novel and presented in an elegant form. The eclectic minds of that curious time could derive equal satisfaction from the brilliant discourses of the reactionary jesuitical De Maistre, the revolutionary odes of Pushkin, and the mysticism of Frau von Krudener. For the majority the vague theosophic doctrines and the projects for a spiritual union of governments and peoples had perhaps the greatest charm, being specially commended by the fact that they enjoyed the protection and sympathy of the Emperor. Pious souls discovered in the mystical lucubrations of Jung-Stilling and Baader the final solution of all existing difficulties—political, social, and philosophical. Men of less dreamy temperament put their faith in political economy and constitutional theories, and sought a foundation for their favourite schemes in the past history of the country and in the supposed fundamental peculiarities of the national character. Like the young German democrats, who were then talking enthusiastically about Teutons, Cheruskers, Skalds, the shade of Arminius, and the heroes of the Niebelungen, these young Russian savants recognised in early Russian history—when reconstructed according to their own fancy—lofty political ideals, and dreamed of resuscitating the ancient institutions in all their pristine imaginary splendour.
Each age has its peculiar social and political panaceas. One generation puts its trust in religion, another in philanthropy, a third in written constitutions, a fourth in universal suffrage, a fifth in popular education. In the Epoch of the Restoration, as it is called, the favourite panacea all over the Continent was secret political association. Very soon after the overthrow of Napoleon the peoples who had risen in arms to obtain political independence discovered that they had merely changed masters. The Princes reconstructed Europe according to their own convenience, without paying much attention to patriotic aspirations, and forgot their promises of liberal institutions as soon as they were again firmly seated on their thrones. This was naturally for many a bitter deception. The young generation, excluded from all share in political life and gagged by the stringent police supervision, sought to realise its political aspirations by means of secret societies, resembling more or less the Masonic brotherhoods. There were the Burschenschaften in Germany; the Union, and the "Aide toi et le ciel t'aidera," in France; the Order of the Hammer in Spain; the Carbonari in Italy; and the Hetairai in Greece. In Russia the young nobles followed the prevailing fashion. Secret societies were formed, and in December, 1825, an attempt was made to raise a military insurrection in St. Petersburg, for the purpose of deposing the Imperial family and proclaiming a republic; but the attempt failed, and the vague Utopian dreams of the romantic would-be reformers were swept away by grape-shot.