He had heard much about Ireland and talked much about it since he came to America—a great deal more than he had ever heard or talked about it at home. And in his eyes now it had taken on a dim, distorted shape and spirit. The physical contours of it he had forgotten—the lush green hillsides, the fruitful orchards, the kine heavy with fat, the dim, warm houses—all these were to him as though they had never been. Instead of them, he saw a frail, worn country, with a vague spiritual light emanating from it, like the light from the face of a man who knows that death is near him and is resigned to it. The people about him mentioned it with sympathetic voices. They spoke of the poverty of it, with a sort of contemptuous affection. And little by little Grant came to think of it in that way, too, as one thinks of a poor but worthy relative.

"There 's no doubt to it," he would say to himself; "a man doesn't get a chance there. He has to come over here." And he would look about his store with proud satisfaction.

He began to think even of his own home as a place that the poisonous finger of poverty had touched; and for a year now, and more, he had thought of returning to see it. Maybe he could do something for the people at home. A few pounds would come in useful. And, apart from that, he could tell them some things that would help them along. He would make them "get a move on," as the New York phrase went. Perhaps he would take Joe, his brother, out and give him a chance to show what he had in him. Perhaps they might all come out with him—the father and mother too.

"Ay! Why not!" he would argue. "Why shouldn't they? What's there for them in Ireland?"

He ruminated over the idea every day as he came from work to the brown stone boarding-house where he lived, in Schermerhorn Street, a dingy, unpalatable sort of place that had become a home to him. There were employees of department-stores there; and an occasional theatrical couple stayed a week in it, a week electric with criticism. In the summer evenings the boarders sat on the stoop, and in the winter they congregated inside to be played to in insufficient light on a tinkling piano. For Grant the place had a metropolitan quality that others sought in the great hotels.

And, with the same care he had used in mapping out his business career, he watched for somebody to marry.

He found her in the boarding-house—a trim and rather pale girl, who acted as though she were twenty and looked twenty-eight, but whom the Vital Statistics Bureau had registered as having been born thirty years before. Her hair was black and glossy, and her eyes were big and black and lustrous; her face, outside those features, was the face of a hundred others. But what captivated Grant about her was her chicness, her quality of being up-to-the-minute in dress and deed and word. Grant liked the flare of her wide skirts and the gray suede shoes lacing up the sides. He liked the faint powder on her face, and her carefully cultured eyebrows. He liked her talk of skating and of the new theatrical pieces, and her ability to do the latest twirls in the one-step. Her name was Miss Levine—Ada Levine.

"It's not every man could have a wife like that!" he told himself; and he thought of the awe in which his people in Ireland would behold her.

She talked to him interestedly of his prospects and the trend of business in his direction; and that pleased him, for, what with that interest and with the training she received in the department-store where she worked, she would be exactly what he needed to get on in the world. He told her of his intention of going back home for a month, of putting the store in the care of a friend of his from the old business where he had worked.

"And when I come back," he said, "I 'd like to say something to you." She sat on the steps quietly and lowered her eyes demurely. "That is," he continued, "if nobody gets there before me."