Through the doors of Michael Doyle's public house a young farmer walked uncertainly. He gently swung a woman's woolen stocking in his right hand, and in the foot of the stocking was a large round stone:
"I am young Packy McGee of Ballymoyle," he announced, "the son of old Packy McGee of Ballymoyle, a great man in his day, but never the equal of young Packy McGee. I have gone through Scotland and Ireland, Wales, the harvest fields of England, and I have never yet found the equal for murder and riot of young Packy McGee. I am young Packy McGee. I am young Packy McGee of Ballymore, and I don't care who knows it. Is there any decent man in this fair that considers himself the equal of young Packy McGee?" And he walked through the fair, chanting his litany and gently swinging the woman's woolen stocking with the large round stone in the foot of it ...
The penny poet changed from the high grace notes of "The Red-Haired Man's Wife" to the surge of a come-all-ye. There was the undercurrent of a pipe drone to his voice:
Fare-you-well, Enniskillen, fare-you-well for a while,
All round the borders of Erin's green isle
And when the war 's over return I shall soon,
And your arms will be o-o-open for your Enniskillen Dragoon.
In the intervals between verses a black-bearded man with blue spectacles announced solemnly that he was Professor Handley direct from English and German universities, empowered by the Rosicrucian order to distribute a remarkable panacea at the nominal sum of sixpence a bottle ...
Forests of cows' horns and drovers' sticks, clamor of frightened cattle, emphatic slapping of palms. Clouds of dust where the horse fair was carried on. Stands of fruit and cakes. Stalls of religious ornaments, prayer-books, and rosary beads ... A shooting gallery ... A three-card trickster, white and pimpled of face ... A trick-of-the-loop man, with soap-box and greasy string ... A man who sold a gold watch, a sovereign, and some silver for the sum of fifteen shillings ... An old man with the Irish bagpipes, bellows strapped to arm, playing "The Birds Among the Trees," "The Swallow-tail Coat," "The Green Fields of America" ... small boys regarding him curiously ... later young farmers and girls would be dancing sets to his piping ... At the end of the street a ballad-monger declaiming, not singing—his head thrown back, his voice issuing in a measured chant ... "The Lament for the Earl of Lucan":
Patrick Sarsfield, Ireland's wonder!
Fought in the field like bolts of thunder!
One of Ireland's best commanders!
Now is food for the crows of Flanders!
Och! Ochone!
A knot of older people had gathered around him, white-headed farmers, bent turf-cutters of the glens, a girl-child with eyes like saucers. A priest stopped to listen ... The crude English of the ballad faded out, until there was nothing but disheveled agony ... rhythm ... a wail ... Somewhere a leaping current of feeling ... There was a woman on the edge of the crowd, a lady ... She came nearer, as though hypnotized ...
The country bard stopped suddenly, exalted, and swung dramatically into Gaelic ... Dropping the alien tongue he seemed to have dropped fetters.... His voice rose to a pæan ... he took on stature ... he looked straight in the eye of the sun ... And for Shane the clamor of the drovers ceased ... And there was the plucked note of harpers ... And fires of ancient oak ... and wolf-dogs sleeping on skins of elk ... And there was a wasted place in the twilight, and grass through a split hearthstone ... And a warrior-poet, beaten, thinking bitter under the stars ...
Do threasgar an saoghal agas do thainic an gaoth mar smal—;
Alastrom, Cæsar, 's an mead do bhi da bpairt;
Ta an Teamhair na fear agas feach an Traoi mar ta!
'S na Sasanaigh fein, do b' fheidir go bhfaigh dis bas!