Children should never be allowed to learn a poem without preparation, or to memorise it by gabbling it over; as well might we expect them to become musicians by rattling off pieces unstudied, without regard to time and accent. At first, the poems to be learned should be repeated viva voce by the teacher to the little ones. Later, a special study should be made of anything set to a class, and it should be learned by the mind, not the ear. In France and Germany a poem is not set until it has been discussed and explained, points of importance insisted on, special beauties, etc.
A reading class should not be one in which each girl has to listen to the bad reading of another. I know no manual so good for the teacher, and for elder pupils, as Professor Meiklejohn’s Expressive Reading. There are some good remarks in a brief paper by Mr. Birrell in Barnett’s Teaching and Organisation, and I may draw attention to page 131 of Spenser’s chapters on Teaching, for all these books should be in the Teachers’ Library.
From the first, children should learn poetry by heart—poetry suited to their understanding. A child was heard to drone forth:—
Save that from yonder ivy-mantled tower
The lowing herd doth to the moon complain.
The reflections of the poet were utterly uninteresting to him; he did not perceive the absurdity of cows ascending a tower.
I cannot sufficiently deprecate the setting of melodramatic pieces chosen not for their intrinsic beauty, but to show the power of execution—to borrow a musical term. The pieces learned need not be all poetry. Some of Hans Andersen’s Mährchen are excellent. Scenes in which several can take part help to give animation.
Learning by heart.Throughout their school life children should continue to store their memory, during the years in which it is easy to learn, with masterpieces in prose and poetry; because learning by heart was formerly overdone it is much neglected now. These early acquisitions are a treasure all one’s life. Familiarity with really good writers is the first thing necessary for writing well; it is good to let children write from memory passages learned instead of giving dictation.
Recitation.Looking at the higher aspects, I can hardly exaggerate the importance of getting children to speak with the understanding and right expression; for this teachers must make them enter into the meaning of the writer, realising the imagery, the feelings, the thoughts; this calls out right emotion, and thus elocution becomes of no small value as a part of moral training. Plato dwells much on the influence for good or evil upon the actor who realises the character he represents, and as Aristotle has said that through the drama one may purify the soul, so we may help our pupils to feel all the grand music of our great poets, and to enter with fuller sympathy into the teaching of the sacred scriptures of the world.
There is an excellent article in the volume of Special Reports issued by the Education Office by Mr. Dale of Merton College, from which I give extracts.