Before beginning his lesson, he gave a last look at his painting, "What do you think of it? What do you think of it?" he asked suddenly, turning on Marise, the question like a loaded revolver at her temple.
Much practice had steadied Marise's nerves against any sort of hold-up that could be practised in social relations. She said instantly, "I think it shows one of the most charming landscapes I ever saw. Where in the world is there such a delightful composition?"
She was dealing with some one infinitely more practised than she, who was not in the least taken in by her evasion. Sighing, he turned the canvas with its face to the easel, and told her over his shoulder, "It's in my own country, where I ought to have stayed and been a dumb-beast, and happy. Nowhere you ever heard of, a far corner of the Pyrenees. Saint-Sauveur is the name." And as if, in spite of himself, to pronounce the name moved him, he broke out, "It's the most beautiful place—a little heaven on earth—why should any one leave it to spend his life in this boulevard hell of malignity? Such noble lines in its mountains, such grand pacifying harmony in the valleys—enough to reconcile a man to being alive! Such details as it has too! There is a gorge there where the gave de Gavarnie rushes down. Always on the hottest, dustiest, most blinding summer day, it is cool there, the air green like Chartres stained-glass, and alive with the thunder of the water."
He frowned, shook his head, put his hand to a book on the table, and said, dismissing his evocation with a shrug, "Eh bien ... eh bien...!"
The lesson began but Marise heard not a word of it, not a word. She sat straight on the hard chair, her face a blank, and walked up the street with Jeanne, seeing in the blue twilight, the pale face of Jean-Pierre Garnier approaching them. The alcove curtains hung close before her, and Jeanne's voice was on the other side. And then, the burst of men's laughter from across the landing, cut short by Jeanne's closing the door; and then the heavy, dragging step in the corridor, the loud, harsh breathing. She waited, tense with fright, to see the curtains twitch open, and Jeanne's dreadful face appear ... some one was speaking to her, urgently, insistently, by name....
"Marise, Marise...." It was Eugenia speaking to her, "Help me explain to M. Vaudoyer that I haven't the least desire to become an actress, or to know every word of Molière by heart! That I simply want lessons in how to pronounce French correctly, the kind of lessons my English-diction teacher gives me." She spoke with an impatient accent, and Marise coming to herself saw the two facing each other with angry looks.
M. Vaudoyer said indignantly, "It's not worth my while to give instruction to a student who will not do the necessary work."
"I will do any necessary work," Eugenia answered hotly, "but what has reading a lot of deadly dull old books to do with pronouncing French correctly? And if I'm not going to be an actress or a singer, what is the use of all those idiotic ah! ah! oh! oh! fee! fee! exercises?"