But there was no consecutive talk about anything after they all were joyfully gathered in their ugly, commonplace boarding-house bedroom. They loosened collars and belts, washed their perspiring and dusty faces, and brushed hair, to the tune of a magpie chatter. Sylvia did not realize that she and her father were the main sources of this volubility, she did not realize how she had missed his exuberance, she only knew that she felt a weight lifted from her heart. She had been telling him with great enjoyment of the comic opera they had seen, as she finished putting the hairpins into her freshly smoothed hair, and turned, a pin still in her mouth, in time to be almost abashed by the expression in his eyes as he suddenly drew his wife to him.
"Jove! Barbara!" he cried, half laughing, but with a quiver in his voice, "it's hell to be happily married! A separation is—well, never mind about it. I came along anyhow! And now I'm here I'll go to see Vic of course."
"No, you won't," said Judith promptly. "She's gone back. To get Arnold out of a scrape."
Mrs. Marshall explained further, and incidentally touched upon her sister-in-law's views of the relation between expensive boys' schools and private tutors. Her dryly humorous version of this set her husband off in a great mirthful roar, to which Sylvia, after a moment of blankness, suddenly joined a burst of her own clear laughter. At the time she had seen nothing funny in Aunt Victoria's statement, but she was now immensely tickled to remember Aunt Victoria's Olympian certainty of herself and her mother's grave mask of serious consideration of the idea. Long after her father had stopped laughing, she still went on, breaking out into delighted giggles. Her new understanding of the satire back of her mother's quiet eyes, lent to Aunt Victoria's golden calm the quaint touch of caricature which made it self-deceived complacency. At the recollection she sent up rocket after rocket of schoolgirl laughter.
Her mother, absorbed in conscientious anxiety about Sylvia's development, and deeply disappointed by the result of the visit to the hospital, ignored this laughter, nor did Sylvia at all guess that she was laughing away half the spell which Aunt Victoria had cast about her. When they went down to their supper of watery creamed potatoes, and stewed apricots in thick saucers, she was in such good humor that she ate this unappetizing fare with no protest.
"Now, folks," said Professor Marshall, after supper, "we have to go home tomorrow early, so we ought to have one more fling tonight. While I was waiting for you to come back this afternoon, I looked up what Chicago has to offer in the way of flings, and this is what I found. Here, Barbara," he took a tiny envelope out of his upper waistcoat pocket, "are two tickets for the symphony orchestra. By the greatest of luck they're giving a special concert for some charity or other, a beautiful program; a sort of musical requiem. Sylvia mustn't miss it; you take her. And here," he spun round to face Judith and Lawrence, producing another slim, tiny envelope from the other upper waistcoat pocket, "since symphony concerts are rather solid meat for milk teeth, and since they last till way after bedtime, I have provided another sort of entertainment; to wit: three seats for moving pictures of the only real and authentic Cheyenne Bill's Congress of the World's Frontiersmen. All in favor of going there with me, say 'Aye.'"
"Aye!" screamed Judith and Lawrence. Everybody laughed in pleased excitement and everybody seemed satisfied except Mrs. Marshall, who insisted that she should go to the moving pictures while the Professor took Sylvia to the concert.
Then followed the most amiable, generous wrangle as to which of the parents should enjoy the adult form of amusement. But while the Professor grew more and more half-hearted in his protestations that he really didn't care where he went, Mrs. Marshall grew more and more positive that he must not be allowed to miss the music, finally silencing his last weak proffer of self-abnegation by saying peremptorily: "No, no, Elliott; go on in to your debauch of emotion. I'll take the children. Don't miss your chance. You know it means ten times as much to you as to me. You haven't heard a good orchestra in years."
Sylvia had never been in such a huge hall as the one where they presently sat, high, giddily high in the eyrie of a top gallery. They looked down into yawning space. The vast size of the auditorium so dwarfed the people now taking their innumerable seats, that even after the immense audience was assembled the great semicircular enclosure seemed empty and blank. It received those thousands of souls into its maw, and made no sign; awaiting some visitation worthy of its bulk.
The orchestra, an army of ants, straggled out on the stage. Sylvia was astonished at their numbers—sixteen first violins, she saw by the program! She commented to her father on the difficulty of keeping them all in tune. He smiled at her absently, bade her, with an air of suppressed excitement, wait until she had heard them, and fell to biting his nails nervously. She re-read the program and all the advertisements, hypnotized, like every one else in the audience, by the sight of printed matter. She noticed that the first number of this memorial concert was the funeral march from the Götterdämmerung, which she knew very well from having heard a good many times a rather thin version of it for four strings and a piano.