“That’s an awfully long piece for anybody to learn by heart!” commented her neighbor admiringly, as the old pianist finished, and stood up wiping his forehead. “Say, Mr. Burkhardt, what’s the name of that selection?” he went on, leaning forward.
The old German turned toward him, and answered gravely: “That is the feerst mofement of Beethoven’s Opus Von Hundred and Elefen.”
“Oh, it is, is it?” said Lydia’s guest, with a facetious intonation. “All of that?”
After that the soprano sang again, someone else sang a humorous negro song, there was more piano music, rendered by the prosperous son of the old pianist, who played dashingly some bright comic-opera airs. The furniture was pushed back and a few dancers whirled over the costly, hardwood waxed floors, which Lydia had cleaned that morning. She felt vaguely that everyone was being most kind and that her good-natured guests were trying to make up for the failure of the dinner by unusual efforts to have the evening pass off well. She was very grateful for this humane disposition of theirs. It was the bright spot of the experience.
But Paul, who also saw the kindly efforts of his guests, felt that this was the last intolerable dagger-thrust. Their amused compassion suffocated him. He wanted people to envy him, not pity him, he thought in mortified chagrin.
After an eternity, the hour of departure arrived. As the door shut out the last of the smiling, lying guests, the host and hostess turned to face each other.
Paul spoke first, in an even, restrained tone: “You would better go to bed, Lydia; you must be very tired.”
With this, he turned away to shut up the house. He had determined to preserve at all costs the appearance of the indulgent, non-critical, over-patient husband that he intensely felt himself to be. No force, he thought grimly, shutting his jaws hard, should drag from him a word of his real sentiments. Fanned by the wind of this virtuous resolution, his sentiments grew hotter and hotter as he walked about, locking doors and windows, and reviewing bitterly the events of the evening. If he was to restrain himself from saying anything, he would at least allow himself the privilege of feeling all that was possible to a man so deeply injured.
Lydia sat quietly waiting for him to finish, her face in her hands, conscious of nothing but fatigue, in her ears a wild echo of the inexplicable, haunting Beethoven chords.
Suddenly she started and raised her head, her face transfigured. Her eyes shone, a smile was on her lips like that of someone who hears from afar the sound of a beloved voice. She made a gesture of yearning toward her husband. “Oh, Paul—Paul!” she cried to him softly, in a tremulous voice of wonder.