Hallowed Heritage: The Life of Virginia

by Dorothy Margaret Torpey

Virginia Museum of Fine Arts

Other plays including tragedies and comedies, famous and not so famous, were acted at the Williamsburg Playhouse. Most of the plays during this period were European plays or American imitation of European plays. The playhouses themselves were usually wooden structures with crude benches for the average customers and a few "less uncomfortable" boxes for the aristocrats. In the winter, the heat was usually furnished by one stove in the center of the end of the barn-like structure where the spectators congregated between the acts. Often, spectators carried their individual footwarmers with them to assure themselves of comfort during the play. Candles at first were the sole means of illumination. A custom which was practiced for many years consisted of the Negro servants arriving at the playhouse hours before the six o'clock curtain time and reserving seats for their masters by sitting in the most desirable areas until the arrival of the masters.

The early drama companies were often organized and managed as a regular stock company with the importance of the dramatic role determining the number of shares received by an actor. Another common method of paying outstanding actors was the holding of a "benefit" night near the end of the season whereby the receipts of that night would be given to the individual actor.

The playhouse provided one of the most popular types of amusement and it soon became a colorful place for gay, social gatherings. Since Williamsburg was the capital of the colony of Virginia, during legislative sessions the playhouse was particularly crowded with important personages of the government and their friends. George Washington enjoyed dramatic presentations very much and on numerous occasions visited the Williamsburg Playhouse. Just before the American Revolution, however, as political, economic and social relationships between the Americans and the British were being severely strained, most forms of entertainment including the playhouse were prohibited. Consequently, the Virginia playhouses eventually closed and most of the actors and actresses traveled to foreign shores.

After Governor Thomas Jefferson and numerous other Virginians believed that Williamsburg was no longer a safe or central location, the capital of Virginia was moved to the Town of Richmond in 1779. Seven years later, a new theater in Richmond was opened on Shockoe Hill. For twenty-five years, this theater was a social gathering place and a stage background for numerous plays during this period. On December 26, 1811, tragedy struck this theater when it was crowded with holiday festive guests at a benefit performance for the actor, Placide, and his daughter. The entertainment in the theater usually consisted of a prologue, a feature play, a short afterpiece and, sometimes, singing or dancing. On this fateful date, the feature had been completed and the afterpiece was being enacted. Suddenly, a lamp which was used for creating overhead light was mistakenly jerked by a pulley, causing it to swing fully lit into the oil-painted scenery back-drop. Soon the entire theater was a flaming mass. Seventy-three persons were killed in this tragedy including Governor George William Smith. This incident caused many theater-goers to refrain from attending theater performances for several years because of fear for their personal safety.

Drama in Virginia, consequently, received a serious setback from this tragedy, but in 1818, a new theater was built through subscription at Seventh and Broad Streets in Richmond. It was called the Marshall Theater and was named in honor of Chief Justice John Marshall who was one of the theater's greatest patrons. Although this new structure was larger, more conveniently situated and more safely constructed, fear still kept the large crowds of the earlier theater from attending. The theater for a time had to depend upon a famous performer to assure patronage by large numbers. In July 1821, one of these celebrated performers was Junius Brutus Booth—father of the American actor, Edwin Booth—who made his American debut at the Marshall Theater in "Richard III."

By the middle of the Nineteenth Century, Virginia began to experience the "Golden Age" of its theater. Richmond still was the center of the drama in Virginia and one of the outstanding dramatic centers in the United States. The opinion and reaction of Richmond audiences and critics became respected and noticed throughout the country. Such well-known actors as Edwin Forrest, William C. Macready and James W. Wallack played here. On January 2, 1862, the Marshall Theater burned, but its owner immediately had a new one called the Richmond Playhouse built on the same site. Its opening premiere was "As You Like It" starring Ida Vernon and D'Orsay Ogden. Even though the War between the States was being fought, contrary to the Revolutionary War period, the theater furnished amusement and relaxation. Jefferson Davis, President of the Confederacy, and many of his cabinet members attended this theater and viewed many of its tragedies which strangely enough seemed to be the type of play preferred over comedies at this time. One of the favorite actresses of the soldier audiences was Sally Partington.

As the years passed, additional theaters were built in Virginia including the Theater of Varieties in Richmond where vaudeville was first introduced. By the end of the Nineteenth Century, two native Virginians had become dramatic character actors of national fame: Wilton Lackaye of Loudoun County and George Fawcett of Fairfax County. At the turn of the century, Bill Robinson, a native of Richmond, began his ascent to national and international fame for his superb dance style and routines, not only in vaudeville but also in New York plays and, later, in moving pictures.

Early in the Twentieth Century, Francis Xavier Bushman of Norfolk was one of the early moving picture lead actors. As the movies improved and increased in their scope, Virginians such as Jack Hall of Winchester, James H. Bell of Suffolk, Margaret Sullavan of Norfolk, Randolph Scott of Orange County, Richard Arlen of Charlottesville, Lynn Bari of Roanoke, Joseph Cotten of Petersburg, Henry King of Christiansburg, John Payne of Roanoke, Charles Gilpin of Richmond and Freeman F. Gosden of Richmond became nationally known for their acting.