Observe No. 8-1/2. Nature has not been artistic. The eyes are too near the top of the head. The defect is exaggerated and emphasized by the wearing of the hair low on the forehead. In some faces of this type the face is brutalized in appearance by this arrangement. The expression and whole quality of the countenance can be greatly improved by arranging the hair as shown by No. 9, which is the soft Pompadour style. The Duchess of Marlborough, formerly Consuelo Vanderbilt, frames her naïve, winsome face, which is of the Japanese type, in a style somewhat like this. Her dark hair forms an aureole above her brow, and brings into relief the dainty, oval form of her face. Even simply brushing the hair off the forehead without crimp or roll will improve the appearance of this type of face and give it a better artistic balance.
For Eyes Set Too Low.
Women whose eyes are set too far down in their faces should adopt a mode of arranging their hair exactly the opposite of those whose eyes are set too near the top of their heads.
It is apparent that No. 10 exaggerates the distance of her eyes from the crown of her head, and makes them appear to be set lower than they really are by building her hair high, and by brushing her bang back so severely from her brow. A bald forehead is rarely becoming to any woman. A few stray curls or soft waves lend grace to even the most perfect of brows.
By bringing the hair down over the forehead, as suggested in No. 11, a woman with this type of face can easily improve her appearance. By this graceful arrangement her face loses the childish and sometimes stupid expression that is peculiar to the type, as may be discerned in No. 10. When the hair is properly arranged this element of childlikeness lends a certain appealing sweetness not unattractive even in the faces of matured matrons. By dressing the hair low so the coil does not appear above the crown, as in No. 11, the eyes are apparently properly placed.
For Long Faces with Long Noses.
The woman who wears her silken tresses arranged on either side of her head, draped like curtains from a central parting, is to be envied if she can do it and yet look young and pretty. She is the Madonna type and seems to possess all the attributes of gentleness, modesty, and meekness, and angelic sweetness that are supposed to characterize the distinctively feminine woman. This is the ideal style of coiffure much bepraised by man, because, according to a bright modern Amazon, "it makes a woman look so meek."
The only type to which it is really becoming is the Italian. The type with matte complexion, soft eyes, finely chiselled nose, and delicately oval chin, look ideally sweet and feminine with the hair arranged à la Madonna.