[137] In The Man from the Gods.
[138] In George William Curtis’s Prue and I.
[139] In her Duchess at Prayer.
[140] Other stories of double personality are The Ivory Gate, by Walter Besant; The Man with a Shadow, by George M. Fenn; The Jolly Corner, by Henry James; The Transferred Ghost, by Frank R. Stockton; On the Stairs, by Katherine Fullerton Gerould; Elixiere des Teufels, by E. T. A. Hoffmann; Howe’s Masquerade, by Hawthorne; The Recent Carnival of Crime in Connecticut, by Mark Twain; The Queen of Sheba, by Thomas Bailey Aldrich; The Doppelgänger, by Elizabeth Bisland Wetmore.
Georg Brandes, in his article, “Romantic Reduplication and Psychology,” in Main Currents of Nineteenth Century Literature, points out the prevalence of this motif in German fiction. He says: “It finds its first expression in Jean Paul’s Leibgeber Schappe, and is to be found in almost all of Hoffmann’s tales, reaching its climax in Die Elixiere des Teufels. It crops up in the writings of all the Romanticists, in Kleist’s Amphitryon, in Achim von Arnim’s Die Beiden Waldemar, in Chamisso’s Erscheinung. Brentano treats it comically in Die Mehreren Wehmüller.”
[141] In The Second Wife.
[142] In Mr. Eberdeen’s House.
[143] A Legend of Sharp.
[144] In Red Gauntlet.
[145] In The Monk or Zofloya.