EXTRACTS FROM MARY WORDSWORTH'S JOURNAL OF A TOUR IN BELGIUM
Left Lee. (I now transcribe what was dictated by William.) ... Dover, as interesting as ever, and the French coast very striking as we descended. Walked under Shakespear's Cliff by moonlight. Met several sailors, none of whom had ever asked himself the height of the cliff. I cannot think it can be more than 400 feet at the utmost; how odd that the description in Lear should ever have been supposed to have been meant for a reality. I know nothing that more forcibly shows the little reflection with which even men of sense read poetry. "How truly," exclaims the historian of Dover, "has Shakespear described the precipice." How much better would he (the historian) have done had he given us its actual elevation! The sky looked threatening, a wheel at a great distance round the moon, ominous according to our westland shepherds. The furze in full blossom....
Ostend, half-past 8 o'clock, Sunday morning.— ... We were driven at a fierce rate before the wind.... We proceeded till about four o'clock, when we were—had the same wind continued—within two hours of Ostend. But now, overhead was a bustle of quick steps, trailing and heaving of ropes, with voices in harmony. Below me, the vessel slashed among the waters, quite different from the sound and driving motion I had become accustomed to.... The phosphorous lights from the oars were beautiful; and when we approached the harbour, these, in connection with the steady pillar streaming across the water from the lighthouse, upon the pier; and afterwards, still more beautiful, when these faded before a brilliant spectacle (caused by a parcel of carpenters and sailors burning the tar from the hulk of a large vessel under repair), upon the beach. I thought if we were to see nothing more this exhibition repaid us for our day of suffering. But we wished for the painter's skill to delineate the scene, the various objects illuminated by the burning ship, the glowing faces of the different figures—among which was a dog—the ropes, ladders, sands, and sea, with the body of intense bright fire spreading out and fading among the dim stars in the grey mottled sky.... Ostend looks well as to houses compared with one of our English towns of like importance. The tall windows, and the stature of the buildings, give them a dignity nowhere found with us; but it has no public buildings of interest. Climbing an oblique path which led up to the ramparts, a little boy called out in broken English, "Stop, or the soldiers will put you in prison." Not a living creature to be seen on that airy extensive walk, everybody cooped in the sultry flat. Melancholy enough at all times, but particularly so on this great day of annual celebration. But the joy, if any there is, is strictly confined to the doing of nothing. A few idle people were playing at a game of chance, under the green daisy-clad ramparts. I got a glimpse of the country by climbing the steps to a wind-mill, "snatching a fearful joy" I cannot call it, for the view was tame; the sun however shone bright on the fields, some of which were yellow as furze in blossom, with what produce I know not....
Bruges, Hôtel de la Fleur de Blé; Monday, May 19th.— ... Bruges loses nothing of its attractions upon a second visit as far as regards buildings, etc., but a bustling Fair is not the time to feel the natural sentiment of such a place. We crept about the shady parts, and among the booths, and traversed the cool extensive vault under the Hôtel de Ville, where the butcher's market is held (a thousand times the most commodious shambles I ever saw), and the bazaars above, and made some purchases.
Tuesday 20th.— ... The thought of Bruges upon the Fair-day never can disturb the image of that spiritualised city, seen in 1820, under the subdued light and quiet of a July evening and early morning.... Nothing can be more refreshing than to flout thus at ease, the awning screening us from the sun, and the pleasant breezes fanning our temples; ... cottages constantly varying the shores, which are particularly gay at this season, interspersed with fruit-tree blossom and the broom flower; goats tethered on the grassy banks, under the thin line of elms; a village with a pretty church, midway on the journey; ... the air delightfully refreshed by the rain; the banks, again low, allow the eye to stretch beyond the avenue; corn looking well, rich daisy-clad pastures, and here alive with grasshoppers; large village on both sides of the canal, bridge between, from which letters are dropped into the barge, as we pass, by means of a shoe. A sale at a Thames-like chateau; we take on purchasers with their bargains—chests of drawers, bed and chamber furniture of all sorts—barge crowded; Catholic priests do not scruple to interlard their conversation with oaths; the three Towers of Ghent, seen through the misty air in the distance under the arch of the canal bridge, give a fine effect to this view; drawing nearer and gliding between villages and chateaux, the architecture looks very rich....
Ghent, Thursday 22nd.—Left Ghent at 7 o'clock by diligence.... Paved road between trees; elms with scattered oaks; square fields divided by sluices, some dry, others with water bordered by willows, etc., thin and low; neat houses and villages, English-looking, only the windows and window-shutters gaily painted; labourers upon their knees weeding flax; some corn, very short, but shot into ear; broom here and there in flower, else a perfect uniformity of surface....
Antwerp.— ... Disappointed by the first view of Antwerp standing in nakedness.... Few travellers have been more gratified than we were during our two days' residence in this fine city, which we left, after having visited the Cathedral, and feasted our eyes on those magnificent pictures of Rubens, over and over again; and often was this great pleasure heightened almost to rapture, when, during mass, the full organ swelled and penetrated the remotest corners of that stately edifice—here we were never weary of lingering; but none of the churches did we leave unvisited; that of St. James was the next in interest to us, which contained Rubens' family monument; a chapel or recess railed off, as others are, in which hung a beautiful painting by the great master himself bearing date 23rd May, —64; a mother presenting a child to an old man, said to be Rubens' father; three females behind the old man, and R. himself, in the character of St. George, holding a red flag among a group of angels hovering over the living child. The drapery of the principal female figure is a rich blue. R.'s three wives are represented in this exquisite picture. Besides the several churches, so rich in fine paintings, we spent much time in the museum—formerly the Convent des Recollects—an extremely interesting place, independent of the treasure now contained in it.... The picture by which I was most impressed was a Christ on the Cross, by Van Dyck; there was a chaste simplicity about this piece which quite riveted me; the principal figure in the centre, St. Dominique in an attitude of contemplation; the St. Catherine embracing the foot of the Cross, and lifting a countenance of deep searching agony, which, compared with the expression of patient suffering in that of the Saviour, was almost too much to look upon, yet once seen it held me there....
Saturday 24th.—At 9 o'clock we left Antwerp by the diligence.... Breda looked well by moonlight, crossed by steamboat the Bies Bosch near Dort, which town we reached by half-past six on Sunday morning, May 26th. We are now in the country of many waters.... Mounted the tower, which bore the date 1626; an interesting command of prospect—Stad-house, Bourse, winding streets, trees and rivers (the Meuse) intermingled; walks, screened by trees, look cool. The eye follows five streams from different parts of the handsome town into the country; vessels moving upon them in all directions....
Rotterdam.—Walked to the "Plantation," a sort of humble Vauxhall. About sunset, seated upon the banks of the Meuse; sails gliding down, white and red; the dark tower of the Cathedral; a glowing line of western sky, with twelve windmills as grand as castles, most of them at rest, but the arms of some languidly in motion, crimsoned by the setting sun. A file of grey clouds run southward from the Cathedral tower. The birds, which were faintly warbling in the pleasure-ground behind us when we sate down, have now ceased. Three very slender spires, one of which we know to be the Hôtel de Ville, denote, together with the Cathedral tower, the neighbourhood of a large town.
Tuesday 27th.— ... Left Rotterdam at ten o'clock. As we crossed the bridge, the fine statue of Erasmus, rising silently, with eyes fixed upon his book, above the noisy crowd gathered round the booths and vehicles, which upon the market-day beset him, and backed by buildings and trees, intermingled with the fluttering pennons from vessels unloading their several cargoes into the warehouses, produced a curious and very striking contrast.... The stately stream down which we floated took us to the royal town of the Hague. Arriving there at five o'clock, we immediately walked to the wood, in which stands the Palace; charming promenades, pools of water, swans, stately trees, birds warbling, military music—the Brae Bells; the streets similar to those at Delf; screens of trees, sometimes on one side, but generally on both sides of the canal; bridges at convenient distances across.... Looked with interest upon the ground where the De Wits were massacred, to which we were conducted by a funny old man, of whom we purchased a box. The spot is a narrow space, passing from one square to another, if I recollect right, near to the public building, whence the brothers had been dragged by the infuriated rabble. Horse-chestnut trees in flower everywhere.