The Effigies of a valiant Wight
I once beheld, a Templar Knight; [295]
Not prostrate, not like those that rest
On tombs, with palms together prest,
But sculptured out of living stone,
And standing upright and alone,
Both hands with rival energy
Employed in setting his sword free
From its dull sheath—stern sentinel
Intent to guard St. Robert’s cell;
As if with memory of the affray
Far distant, when, as legends say,
The Monks of Fountain’s thronged to force
From its dear home the Hermit’s corse,
That in their keeping it might lie,
To crown their abbey’s sanctity.
So had they rushed into the grot
Of sense despised, a world forgot,
And torn him from his loved retreat,
Where altar-stone and rock-hewn seat
Still hint that quiet best is found,
Even by the Living, under ground;
But a bold Knight, the selfish aim
Defeating, put the Monks to shame,
There where you see his Image stand
Bare to the sky, with threatening brand
Which lingering Nid is proud to show
Reflected in the pool below.
Thus, like the men of earliest days,
Our sires set forth their grateful praise:
Uncouth the workmanship, and rude!
But, nursed in mountain solitude,
Might some aspiring artist dare
To seize whate’er, through misty air,
A ghost, by glimpses, may present
Of imitable lineament,
And give the phantom an array
That less should scorn the abandoned clay;
Then let him hew with patient stroke
An Ossian out of mural rock,
And leave the figurative Man—
Upon thy margin, roaring Bran!—
Fixed like the Templar of the steep,
An everlasting watch to keep;
With local sanctities in trust,
More precious than a hermit’s dust;
And virtues through the mass infused,
Which old idolatry abused.
What though the Granite would deny
All fervour to the sightless eye;
And touch from rising suns in vain
Solicit a Memnonian strain;
Yet, in some fit of anger sharp,
The wind might force the deep-grooved harp
To utter melancholy moans
Not unconnected with the tones
Of soul-sick flesh and weary bones;
While grove and river notes would lend,
Less deeply sad, with these to blend!
Vain pleasures of luxurious life,
For ever with yourselves at strife;
Through town and country both deranged
By affectations interchanged,
And all the perishable gauds
That heaven-deserted man applauds;
When will your hapless patrons learn
To watch and ponder—to discern
The freshness, the everlasting youth,
Of admiration sprung from truth;
From beauty infinitely growing
Upon a mind with love o’erflowing—
To sound the depths of every Art
That seeks its wisdom through the heart?
Thus (where the intrusive Pile, ill-graced
With baubles of theatric taste,
O’erlooks the torrent breathing showers
On motley bands of alien flowers
In stiff confusion set or sown,
Till Nature cannot find her own,
Or keep a remnant of the sod
Which Caledonian Heroes trod)
I mused; and, thirsting for redress,
Recoiled into the wilderness.
APPENDIX F.
‘Three or four times the size of Bowder Stone.’—Page 225.
From the Tour in Scotland, 1814:—‘The account of the Brownie’s Cell and the Ruins was given me by a man we met with on the banks of Loch Lomond, a little above Tarbet, and in front of a huge mass of rock, by the side of which we were told preachings were often held in the open air. The place is quite a solitude, and the surrounding scenery quite striking.’