Activity is denoted by the length of the letters. Where it is feeble the letters will be widely spaced and rounded.
Excitability is shown by sharp strokes and stops. The more acute and irregular the pen-strokes the greater the intensity of feeling.
Aggression, which is the inclination to attack, the destructive force, is indicated by the final strokes of letters and the cross-bars of t's advancing well forward, the dots of the i's placed well forward. In such a word as "time" the dot would probably be between the m and e. The style is angular and well and evenly spaced, altogether a forward, "go-ahead" writing.
Economy, or acquisitiveness, is shown by the finishing strokes being turned backwards, and inwards; by a cramped hand, a disposition to curtail strokes, particularly the endings of letters, as if the expenditure of ink was begrudged.
Secretiveness, or extra caution, has its sign in the narrow, tightly-closed form of the body of the letters a, d, g, o, q, the a and o often being merely a narrow v. The general tendency of the writing is to compression, the final strokes being very short. When very marked, the letters dwindle into an indistinct unformed condition. The substitution of dashes for punctuation is another symptom.
Insincerity.—Beware of the man or woman whose writing is a fine, wavy line, upright, with short, stumpy and indistinct tops and tails, words running at their end to an almost straight line, the letters merely indicated. The flatter, finer and more perpendicular this writing, the greater the insincerity. Such a writer would probably be a polite, pleasing and plausible person, but double-faced as Janus.
Love of praise, glory, ambition are shown by a tendency to write upwards, the lines of writing trending towards the right-hand corner of the paper. The signature will usually have a curved line below it, with a degree of flourish.
Self-esteem, to which is allied conceit and ostentation, shows itself in proportion to the size of the writing, the taller and more flourished the upstrokes and the longer the downstrokes, the greater the self-assertiveness. The flourish beneath the signature will be very pronounced, often an elaborate spider's web of interlaced lines. The writing is more or less angular with the finals turned backwards and inwards.
Will power is shown by firm bars to the t, with a tendency to descend from left to right, bludgeon-like downstrokes to tailed letters, writing rather angular than rounded, and the final strokes finished by a heavy pressure. Straight, firm, downward strokes take the place of the tails to y, g, f, q.
Sympathy, good nature, kindness of heart are shown by a flowing open hand, the finals of the letters being extended and thrown out with an expansive movement. The tailed letters are long and looped, and often turned up the right side of the letter. The letters are well apart but not necessarily unconnected, and the style is curved. As a general rule hard matter-of-fact natures incline to an angular style; the artistic and softer nature affects rounded, gracefully curved strokes, and avoids straight perpendiculars or horizontals.