A great deal depends on the design of the letters used. Nearly all bookbinders’ letters are made too narrow, and with too great difference between the thick and thin strokes. At [fig. 90] is shown an alphabet, for which I am indebted to the kindness of Mr. Emery Walker. The long tail of the Q is meant to go under the U. It might be well to have a second R cut, with a shorter tail, to avoid the great space left when an A happens to follow it. I have found that four sizes of letters are sufficient for all books.
Fig. 90.
| Fig. 91. | Fig. 92. |
To make out a lettering paper for the back of a book, cut a strip of good thin paper as wide as the height of the panel to be lettered. Fold it near the centre, and mark the fold with a pencil. This should give a line exactly at right angles to the top and bottom of the strip. Then make another fold the distance from the first of the width of the back; then bring the two folds together, and make a third fold in the exact centre. The paper should then be as shown at [fig. 91]. Supposing the lettering to be THE WORKS OF ROBERT LOUIS STEVENSON, select the size of letter you desire to use, and take an E and mark on a piece of spare paper a line of E’s, and laying your folded paper against it, see how many letters will go in comfortably. Supposing you find that four lines of five letters of the selected size can be put in, you must see if your title can be conveniently cut up into four lines of five letters, or less. It might be done as shown at [fig. 93]. But if you prefer not to split the name STEVENSON, a smaller letter must be employed, and then the lettering may be as at [fig. 94].
To find out the position of the lines of lettering on a panel, the letter E is again taken and impressed five times at the side of the panel, as shown at [fig. 92], leaving a little greater distance between the lowest letter and the bottom of the panel, than between the letters. The paper is then folded on the centre fold, and, with dividers set to the average distance between the head of one letter and the head of the next, five points are made through the folded paper. The paper is opened, turned over, and the points joined with a fine folder worked against the straight-edge. It should leave on the front five raised lines, up to which the head of the letters must be put.
| Fig. 93. | Fig. 94. |
The letters in the top line are counted, and the centre letter marked. Spaces between words are counted as a letter; thus in “THE WORKS,” “W” will be the centre letter, and should be put on the paper first, and the others added on each side of it. Some thought is needed in judging where to put the centre, as the difference in the width of such letters as “M” and “W” and “I” and “J” have to be taken into account.
As a general rule, lettering looks best if it comfortably fills the panel, but of course it cannot always be made to do this. The greatest difficulty will be found in making titles of books that consist of a single word, look well. Thus if you have “CORIOLANUS” to place on a back which is not more than 5⁄8-inch wide, if it is put across as one word, as at [fig. 95] (1), it will be illegible from the smallness of the type, and will tell merely as a gold line at a little distance. If a reasonably large type is used, the word must be broken up somewhat, as at (2), which is perhaps better, but still not at all satisfactory. The word may be put straight along the back, as at fig. (3), but this hardly looks well on a book with raised bands, and should be avoided unless necessary.