They who will take the trouble to recall the incidents in the personal history of many of the philosophers of old, will not fail to perceive that, in many cases, they fulfilled the duties which were performed, much less efficiently, perhaps, by the official fools at modern courts. They appear to have exercised, generally with impunity, a marvellous license of speech, and to have communicated disagreeable truths to tyrants who would not have accepted an unpleasant inuendo from an ordinary courtier, without rewarding it with torture or death. This very rudeness of speech, on the part of many philosophers, to princes who were their patrons, was the distinguishing feature of the modern jester. In this respect they were sometimes imitated by the poets, who occasionally indulged in the criminal folly of making execrable puns; so early do we find an illustration of the remark of Ménage, that in all times the court poet was accounted as being also the court fool. Indeed, we shall see, under the head of French Jesters, a whole flock of royal poets vying with each other to receive the patent of King’s Fool, on the death of the official who had just departed full of honours and “doubles entendres.”
I believe that a volume might be very respectably filled with illustrations of the identity of philosopher, or poet, and fool,—in the sense of licensed court wit. My readers will probably be satisfied with a few rather than with a volume-full of proofs. Thus, it will be remembered that it was rather a perilous matter to joke with or to convey rough truths to the mind of the great Alexander. But his favourite philosopher, the light-hearted Anaxarchus, was able to do both, with impunity. What a necessary but disagreeable truth did he impress on his royal master, when the latter was bleeding from a recently received wound. “Ah!” exclaimed the philosopher, pointing to the place, “that shows that, after all, you are only a man, and not a god, as people call you, and as you would like to believe.”
Alexander only smiled at this very sufficient little sermon, and did not resent what perhaps he considered as amusing ignorance. It is remarkable, however, that as in less remote days we meet with potentates who could not tolerate the free-spoken court fool, so in those earlier times we find “tyranni,” who were utterly unable to digest a joke or a reproach. Now the speech of Anaxarchus was utterly disgusting to the mind and feelings of Nicocreon of Salamis, who happened to be present when it was uttered. What the philosopher’s especial patron chose to take without discerning offence in it, it was not for Nicocreon to resent; but he never forgot or forgave it. Alexander was hardly dead when Nicocreon contrived to get Anaxarchus into his power, and he ordered that the philosopher should be pounded to death in a mortar, “Pound away! pound away!” exclaimed the heroic fellow, as the iron hammers were reducing him to pulp, “it’s only my body! you cannot pound my soul!” Nicocreon told him that if he were not more silent and less saucy, his tongue should be cut out. To show how little Anaxarchus cared for the threat, he bit his tongue in two, and spat the mangled piece into the face of the tyrant.
There, indeed, his wit may be said to have failed him, and he acted with less presence of mind than the philosopher Zeno, when the latter was in a precisely similar situation. When the inventor of dialectics lay nearly bruised to death under the pestles of the executioners employed by Nearchus, he called the latter to him as if he had something of importance to communicate. Nearchus bent over the lip of the mortar to listen, and Zeno, availing himself of his opportunity and his excellent teeth, bit off the ear of the tyrant close to his head. Hence “a biting remark, like that of Zeno,” passed into a proverb.
In a later page, it will be seen how the famous jester, Gonella, had the boldness of speech, but lacked the boldness of soul, of Anaxarchus and Zeno. There was a saying of Gonella’s that very nearly resembles one of Hippias, a free-spoken philosopher of Elis, who pleasantly made virtue consist in the entire freedom of man from all and every sort of dependence upon his fellow-men. Again, in Anaximenes,—not that philosopher who maintained that the stars were the heads of bright nails driven into the solid concave of the sky, but the pupil of Diogenes,—we find a parallel with Chicot, the celebrated jester of the French Kings Henry III., the last Valois, and Henry IV., the first Bourbon. Both were occasionally engaged in affairs of political importance, and Anaximenes, on one of these occasions, did capital service to his employers. Lampsacus was being besieged by Alexander. It had nobly resisted; but, unable to hold out any longer, the authorities deputed the philosopher to make terms with the besieger. As soon as the latter beheld Anaximenes, guessing his errand, he exclaimed, in a burst of foolish rage, “I entirely refuse, beforehand, to grant what you are about to ask.” Chicot used to call Henry III. a “simpleton,” but Anaximenes only laughed pleasantly in the face of Alexander, as he said, “May it please your irresistible godship, the favour then which I have to ask is, that you will destroy the city of Lampsacus, enslave the citizens, and ruin their delegate who stands before you.” The conqueror laughed in his turn, and well rewarded the ready wit of a man who was for some years attached to his person.
The poets were not less free than the philosophers. When King Antigonus once caught his favourite Rhodian poet, Antagoras, cooking fish, he asked the bard whether Homer condescended to dress meals while he aspired to register the deeds of Agamemnon. “I cannot say,” answered the Rhodian, “but I very strongly believe this, that the king did not trouble himself as to whether any man in his army boiled fish or left it alone!”
The boldness of some of the old poets was quite on a par with their wit. Their absolute freedom of speech, like that of their official successors, the fools, was as useful and fearless as the modern freedom of the press. There were very few of the parasites and jesters of Dionysius who would venture to tell that disagreeable person beneficial truths. Antiphon, his poet, was an exception. The monarch once asked him, “What brass was the best?” and Antiphon answered, “That of which the statues of Aristogiton and Harmodius were made.” Considering that these were two patriots who rescued Athens from the tyranny of the Pisistratidæ, the answer was as daring as it was witty. Dionysius disregarded the wit, and resented the audacity;—in a sneaking way, however, for he put Antiphon to death because he refused to praise the writings of the despot. In one respect, Dionysius was like Cardinal Richelieu, he looked with spiteful feelings on every man who ventured to doubt his ability for writing tragedies. But in another sense, the “tyrannus” was superior to the cardinal, for he at least wrote his own tragedies, whereas those of Richelieu were written for him by his buffoon, Boisrobert, who might well afford to praise them. For a better reason than that which induced Richelieu to patronize Boisrobert (who, buffoon as he was, founded the French Academy), Philadelphus patronized the comic poet Aristonymus, whom the king made Keeper of the Library at Alexandria, and who kept the king in good humour by his joyous conversation. Aristonymus did not forget that he held a double office; and as the Bards censured as well as commended the behaviour of the people, so he scattered eulogy or blame on the conduct of his patron, according to the latter’s deserts.
We shall find, in subsequent pages, instances of kings going into mourning on the death of their fools, and of the royal patrons raising tombs to them. In ancient times we also have instances of a whole people cherishing their poets quite as fondly as some monarchs did their jesters. I will only cite the case of Eupolis, that comic poet of Athens, whose unlicensed wit was so very little to the taste of Alcibiades, and who ultimately perished in a naval engagement between the Athenians and the Lacedemonians. His countrymen were so afflicted at losing a man whose wit and poetry were as new life to them, that they passed a decree whereby it was ordered that no poet should ever afterwards go to war. Artaxerxes did not mourn more truly for his witty but then deceased slave Tiridates, than the Athenians mourned for Eupolis. But Artaxerxes did not mourn half so long. He sat weeping, indeed, for three days, but he found consolation when Aspasia offered her ivory shoulder to support his aching head. So Henry II., of France, mourned for his dead jester Thony, even commissioning Ronsard to write his epitaph, but forgetting poet, fool, and epitaph in contemplating the mature beauty of Diana of Poictiers.
Less forgetful of a favourite dead wit was the patron of the comic poet, Timocreon of Rhodes; famous alike for his sharp appetite and verses, and for his power of pouring out wit and pouring in wine. It was a brother wit who would not venture to praise him, but who contrived to make the dead jester censure, by celebrating, himself in the apparently autograph lines,
“Multa bibens, et multa vorans, mala denique dicens
Multis, hîc jaceo Timocreon Rhodius.”