“Here lies the Earl of Suffolk’s fool,
Men called him Dicky Pearce;
His folly served to make folks laugh.
When wit and mirth were scarce.
“Poor Dick, alas! is dead and gone;
What signifies to cry?
Dickeys enough are still behind
To laugh at by and by.”
The last recorded instance of a domestic fool being kept in an English family, is that of the jester retained at Hilton Castle, Durham, by John Hilton, the descendant of the old barons of that name, who died 1746. Surtees, in his ‘History of Durham,’ notices this fact, and adds one touch of the wit of this anonymous fool, who seems to have borrowed a traditionary joke of his great predecessor, Archie Armstrong. His master, we are told, on one occasion of his returning to his northern seat from London, left his carriage at the ferry near the castle, and proceeded towards that building over a foot-bridge, at the end of which the fool was awaiting his patron. The latter was attired in a gaily gold-embroidered dress, according to the fashion of the times, and made in the south, by a fashionable tailor. The fool gazed on his master with mingled astonishment and vexation, and, in place of greeting his return with a welcome, boldly looked him in the face, and inquired, “Who’s the fool now?” This is the last recorded joke of the last recorded jester; and the long line could not have gone out with a milder, though it might have done so with a less impertinent, jest. Hilton’s fool may, I think, fairly rank as the ultimus stultorum (he was remembered by aged Cumberland people, as late as 1812), though in point of fact the honour may be disputed by the nameless individual who figured, though it was only for the nonce, at the Eglinton tournament, in 1839, where knights tilted in spectacles, and the spectators looked on at the solemn fun, under rain and from beneath umbrellas.
Thus the fool went out in a rather gorgeous fashion. There was a grand tableau as the curtain descended which had been up in England for so many centuries. I am bound to add that the Eglinton fool may find a rival as to the honour of closing the merry line, in Shemus Anderson, the fool of Murthley Castle, Perthshire, who died in the year 1833. He had grown tolerably rich in his vocation; had suffered losses, like Dogberry; but left behind him some comfortable hundreds of pounds to his heirs. Shemus, however, never wore the cap and bells, or nursed the bauble, or whirled the bladder and peas, or shook the clappers, or carried motley. He was a fool in undress; but in respect of fulness of character and costume, of circus jokes, and all the accessories of the part, excepting its indecencies, the Eglinton fool was the last of the race. He flickered up for a moment, as did the padded knights and the Queen of Beauty, to afford some idea to the times present of the aspect of the times past, as far as the latter could be exhibited in one of its gorgeous follies. The blaze of splendour was great, and the fool’s fire of conundrums burnt bravely, but the rain extinguished it all; the umbrellas gave an air of ridicule to the scene; the thing was felt to be, after all, only a splendid sham; and accordingly the fool and the pseudo-feudal lords and ladies disappeared for ever. All that remains of the old reality are rags and shreds and fragments in the mansions of our nobles and gentles. At Glamis Castle a motley jacket still hangs, or did recently hang, on a peg in the wall, and at Stourhead is still preserved a jester’s baldric, which may be devoutly kissed as a relic by the worshippers of Folly.
Some resemblance may be certainly traced between the conditions of the English court fool and the ancient parasite, and between the English household fool and the old Roman slave. With all, there was laughter excited by liberty of speech, which must have occasionally fallen like refreshing dew upon the ear of despot or noble, unaccustomed to listen to aught from others save his own exceeding glorification. The despot still retained the power of punishing the fool; and in this particular, the household jester, who was often a menial servant, the drudge of the family, very closely resembled the Roman slave, with whom his master would graciously exchange jokes one day, and whom he would scourge the next. The two, capricious master and servile yet audacious wit, agreed very well with despotism, and coarse times and manners; but with liberty and refinement, both expired, or underwent such modifications, or took such new forms, as to be no longer recognizable. The fool was for a season, but eccentricity of character, which was his great merit, naturally survived him.
It has been objected to many of the ancient traits of court jesters, that they were inventions of writers of fiction, and that they only illustrated a rude state of society. Thus, the incident of Scogan chalking the path to be taken by his wife to church, has been pronounced too farcical to be true. But the degree of humour which moved King Edward’s jester to this act, has influenced many persons of later and more refined times than those in which Scogan uttered very questionable jokes for the amusement of his royal and princely patrons. We all know how Lord Hardwicke, when he was an attorney’s clerk, and was ordered by his mistress to purchase a cauliflower, executed this commission, but sent the vegetable home in a sedan-chair at the lady’s cost. An instance more striking and closer to the point, is given us in the person of the wealthy Margaret Wharton, whom Foote introduced in one of his pieces, as “Peg Pennyworth,” a name which the lady had acquired when a visitor at Scarborough, by sending every night for a pennyworth of strawberries and cream, for her supper. In this dramatic piece, Mrs. Wharton afforded mirth to princes, courtiers, and citizens, with whom the farce was a great favourite. Ord, in his ‘History of Cleveland,’ narrates several anecdotes of her humour, of which I select one that may contrast with that of Scogan. “In one of her visits to Scarborough,” we are told, “she, with her usual economy, had a family pie for dinner, which she directed the footman to convey to the bakehouse. This he declined, as not belonging to his place, or rather derogatory to his consequence. She then moved the question to the coachman, but found a still stronger objection. To save the pride of both, she resolved to take it herself, and ordered one to harness, and bring out the carriage, and the other to mount behind, and they took the pie, with all honour and ceremony, to the bakehouse. When baked, coachee was ordered to put to a second time, and the footman to mount behind; and the pie returned in the same dignified state. ‘Now,’ says she to the coachman, ‘you have kept your place, which is to drive; and yours,’ to the footman, ‘which is to wait; and I mine, which was to have my pie for dinner.’” It was just this sort of eccentricity of character which gave value to the old counterfeit fools, as we shall see further in subsequent pages.
Meanwhile I take leave of the English portion of my subject with the comment of Stillingfleet, who says:—
“Leave to low buffoons by custom bred,
And form’d by nature to be kicked and fed,
The vulgar and unenvied task to hit
All persons, right or wrong, with random wit.
Our wise forefathers, born in sober days,
Resigned to fools the tart and witty phrase;
The motley coat gave warning for the jest,
Excused the wound and sanctified the pest.
But we from high to low all strive to sneer,
Will all be wits, and not the livery wear.”
If my readers have but patience to go forward, they will soon find themselves in company with the Fous du Roi, at the Court of France, where, for a long period, it was not possible for a fool to appear without his livery; but to which now the following lines are not less applicable than they are to other localities:—
“Why, pray, of late do Europe’s kings
No jester in their courts admit?
They’ve grown such stately solemn things;
To bear a joke, they think not fit.
But though each court a jester lacks,
To laugh at monarchs to their face,
All mankind do behind their backs,
Supply the honest jester’s place.”