At the same court with Maret, and accounted as a fool, but not decorated with, or stigmatized by, the official title, we find, attached to the King’s brother, Gaston of Orléans, Louis de Neufgermain, a man whose silliness and vanity made him the sport of the court, and whose affected skill in poetry acquired for him the appellation, which he seriously accepted and proudly displayed, of “Poëte Hétéroclite to his royal highness the Duke of Orleans.” This very select poet penned rhymes which would not be acknowledged in the bon-bon Parnassus of the Rue des Lombards. They were execrable and pointless. For the most part they consisted of lines which he supplied to words given to him, for which he was to find rhymes. It was the sport of the court to puzzle him by intractable words, such as in English would be orange and month; and to extricate himself from the difficulty, he wrote the wildest nonsense, and the wilder this was, the more the audience laughed at the fool.
With Louis XIV. we approach the last of the French “plaisants.” As Margaret of Navarre had Guerin to make lively her leisure hours, so the consort of Louis XIV. maintained Tricomini, who was hardly amusing. He was remarkable more for rough, unpalatable, but irrefutable truths than for wit; and we pass him by, to notice L’Angeli, whose greatest honour it is that he is named by Boileau, in a way too which shows how fortunate a fool was the last of the official jesters of France.
“Un poëte à la cour fut jadis à la mode,
Mais des Fous aujourd’hui c’est le plus incommode,
Et l’esprit le plus beau, l’auteur le plus poli,
Ne parviendra jamais au sort de l’Angeli.”
L’Angeli was of a good family, but the branch of it to which he belonged was so decayed, that the bearer of the name was glad to follow the Prince of Condé to Flanders in the humble capacity of a stable-boy. The lad excited notice by his satire and wit, and Condé, on his return from Flanders, could think of no more acceptable gift to present to the King, Louis XIII., than his vivacious stable-boy. The latter rose to fortune, especially in the succeeding reign, when he became the salaried and official jester, and amassed a fortune. If the courtiers wanted a joke from him, he first made them pay for it. If they wanted to escape his sarcasm, Angeli would not pronounce them exempt, without a fee. What he thus pocketed he carefully put by. Altogether, he was a well-regulated fellow, save in the matter of attendance at church; for absenting himself from which, he assigned two fool’s reasons, namely, that he could not endure brawling, and did not understand argument. When he had acquired some five-and-twenty thousand crowns by the exercise of his office at court, his proud relatives began to acknowledge their long-neglected kinsman: Angeli only laughed, and went on increasing his fortune. “Of all us fools,” once exclaimed Marigny, as he saw Louis XIV. laughing at the jester’s light words,—“of all us fools who were attached to the Prince of Condé, Angeli is the only one who has made his fortune.”
This “fou” had a quiet as well as a lively wit. On one occasion, finding himself standing by the side of a nobleman, one of whose ancestors was supposed to have been a buffoon: “Cousin,” said Angeli, “let us both sit down, nobody will pay any particular attention to us; and you and I are not likely to take offence from each other.” L’Angeli died in 1640, just three years after Archie Armstrong had been ejected from the English court.
With L’Angeli ordinarily closes the list of officially titled fools in France; but I learn from the learned author of the work on the medals and tokens of societies connected with fools and follies, that the Count of Toulouse, the illegitimate son of Louis, had a fool officially appointed to exercise his calling in the Count’s household. The author in question most provokingly adds, that “there was one anecdote he could tell of this fool, which would suffice to avenge the whole class of fools of the contempt with which we cover them. The history is unpublished and piquant, but,” again adds this writer, “it does not belong to me; and that is all I can say about it, for the moment;”—and he never alludes to it again throughout his book!
Although Louis XIV. appointed no successor to L’Angeli, it is clear that he continued to be pleased with tricks after the court jester’s fashion. We have this exemplified in the case of that elegant but inconstant lover, Vardis, who, after throwing the whole court and household of the King into confusion by his audacious gallantries, was exiled to Provence, where, for nearly thirty years, he continued to be the delight of the women and the detestation of the men, who envied and could not rival him.
At the end of the time above mentioned, the Count, then almost a sexagenarian, received permission from the Government, to return to Paris. Vardis was still uncertain how he might be received by the King, and his very happiness depended on the nature of such reception. He went boldly down to Versailles, and on entering the presence, he had the gratification of seeing King and courtiers burst into uncontrollable peals of laughter. He had prepared himself to produce so desired a result, by appearing at court in a dress which was the very height of the fashion when he began his exile, but which looked so ridiculous now, that I do not know how I can better illustrate it than by asking any matron who has preserved her bridal bonnet and dress of thirty years ago, what she thinks she would look like, if she were to wear the same at her youngest daughter’s wedding-breakfast. Let any gentleman open a book of fashions of 1828, and say if he would be daring enough to enter Hyde Park in such a costume. The appearance of Vardis was still more ridiculous. He had been to his contemporaries what D’Orsay was within our own remembrance; and he returned to court, the King of Fashion, but a King who had been touched by a fairy’s wand, and had been lain asleep as soundly and as long as Rip van Winkle. His head was a perfect caricature, and he wore one of those blue coats, or tunics, embroidered with gold and silver lace, which had the name of a “justaucorps à brevet,” because no person could wear this article of dress, which the King himself wore, without his Majesty’s brevet, or warrant. Louis rolled in ecstasy at the sight of the old portrait; and the happy Vardis exclaimed, “Ah, Sire, absent from your Majesty, one becomes not only unhappy, but ridiculous.” The King, still laughing, presented him to the Dauphin, to whom Vardis offered the homage of a low bow. Louis laughed again, remarking, “Vardis, you have done the act of a fool; you know that no person can salute another in my presence.” “Oh!” cried Vardis, with an air that would have done credit to the official fool, “I know nothing at all. I have forgotten everything. One act of folly? your Majesty must pardon thirty.” “Be it so,” answered the King; “but stop at nine-and-twenty.” And with this coup de fou did Vardis leap into a little brief favour.
I must not dismiss the reign of Louis XIV. without a word in reference to the Duke de Roquelaure, who figures in so many jest-books as a buffoon at the court of Louis XIV. The Duke is indebted for much of his reputation, as to this matter, to Saint-Simon, who hated him heartily, and misrepresented him accordingly. Roquelaure was a plain, brave, facetious man; but the jokes attributed to him in the ‘Momus Français’ are entirely apocryphal. These represent him as disgustingly insulting to ladies, audacious to the highest clergy, regardless of his own honour or of that of his wife, and so forgetful of reverence due to holy places, as, on one occasion, to have jumped out of bed, run into a church, and there beat the Spanish Ambassador about the head with his slippers. According to the ‘Momus,’ no courtier escaped the rough licking of his tongue; though the Duke, who had little or no nose, sometimes had to undergo more painful allusions than he himself made, from courtiers or prelates whose huge noses were points on which he is said to have sharpened his wit. The last court-foolery told of him is, of his having asserted that he would not only kick a certain courtier, Bechamel, but that the latter would thank him for it. He committed the assault, saluting the victim at the same time, as if he had been the handsome De Grammont. Bechamel was so delighted at being mistaken, as he thought, for so brilliant a cavalier, that he turned round with radiant smiles, and thanked Roquelaure for the error into which he had fallen.
As I have said, I could not entirely pass over Roquelaure; and it is on the authority of his biographer in the ‘Biographie Universelle,’ I have stated that his court jests are apocryphal. Worse jokes, however, than these were perpetrated at the court of Louis XIV.; witness that occasion when the French court was at Fère, very dull, and sadly in want of sport. Cardinal Mazarin then undertook to play the fool for it; and he did so after a fashion that was highly enjoyed by the “people of quality.” There was then residing with the Cardinal the youngest of his nieces, a little girl seven or eight years of age, Marianne Mancini, afterwards Duchess de Bouillon. As an illustration of court-foolery, the incident requires to be told, and I prefer giving the opening portion of it in the words of M. Amédée Renée, from whose book on ‘Les Nièces de Mazarin,’ I make the extract:—