The feeling of the English public towards Betterton is in strong contrast with that of the French towards their great actor, Baron. Both men grew old in the public service, but both were not treated with equal respect in the autumn of that service. Betterton, at seventy, was upheld by general esteem and crowned by general applause. When Baron, at seventy, was playing Nero, the Paris pit audience, longing for novelty, hissed him as he came down the stage. The fine old player calmly crossed his arms, and looking his rude assailants in the face, exclaimed, "Ungrateful pit! 'twas I who taught you!" That was the form of Baron's exit; and Clairon was as cruelly driven from the scene when her dimming eyes failed to stir the audience with the old, strange, and delicious terror. In other guise did the English public part with their old friend and servant, the noble actor, fittingly described in the licence granted to him by King William, as "Thomas Betterton, Gentleman."
Mr. Garrick as King Lear.
FOOTNOTES:
[29] Malone gives the date of his baptism as 11th August 1635.
[30] I see no reason to doubt that Hart rather than Harris was the rival in question. Hart was an older actor than Betterton, and he and Mohun were the supports of the old school, which its admirers pronounced infinitely superior to that of Betterton. See, for instance, the Historia Histrionica.
[31] Should be Sir Thomas Beaumont in "The Platonic Lady."
[32] It is generally implied, if not stated outright, that Mrs. Betterton never recovered her reason after her husband's death; but this seems an error, because she made a Will, which is dated 10th March 1711-12, when she was presumably sane.