[CHAPTER XIV.]
ENGLAND AND IRELAND.
The season of 1757-58 was the last of the series during which Barry opposed Garrick. At the close of it, Spranger proceeded to Dublin, taking with him, from Drury Lane, versatile Woodward, to retain whom Garrick would not increase his salary.
At Drury, Garrick brought out Home's "Agis," with a cast including himself, Mossop, and Mrs. Cibber; Mrs. Pritchard, and Mrs. Yates! The piece failed notwithstanding.[82] Walpole would not praise it, and the angry author would never speak, or even bow to him, afterwards. Gray compared this piece to an antique statue which Home had painted white and red, and dressed in a negligée, made by a York mantua-maker! Other critics found in "Agis," Charles I. treacherously dealt with by the Scots, whereby the author had intended to punish his nation for its bigotry with regard to the drama generally, and "Douglas" in particular. Walpole added that Home was a goose for writing a second tragedy at all, after having succeeded so well with the first. It was unfortunate for this critic that "Agis" was written before "Douglas," though it followed in succession of representation.
Murphy, who had been a student at St. Omer's, a clerk in a city bank, an unsuccessful actor, and a political writer; who, moreover, was refused a call to the bar by the benchers of the Temple and Gray's Inn, on the ground of his having been a player! but who was admitted by the less bigoted benchers of Lincoln's Inn,—feeling his way towards comedy illustrative of character, by farces descriptive of foibles, very humorously satirised the quidnuncs who then abounded, in his "Upholsterer, or What Next?" in which Garrick acted Pamphlet, as carefully as he did Ranger or King Lear.
But Garrick's chief concern was to replace Woodward, and in this he as nearly succeeded as he could expect, by engaging an Irish actor, O'Brien, who, in the early part of 1758-59 made his appearance as Captain Brazen, and, by the graceful way in which he drew his sword, charmed all who were not aware that his father was a fencing-master. He exulted in light comedy and young tragic lovers, for half-a-dozen years, after which he became the hero of a romance in life, and began to be ashamed of his calling.
The great incident of the season was the acting of Antony, by Garrick, to the Cleopatra of Mrs. Yates, but they gained even more laurels as Zamti and Mandane in the "Orphan of China," a tragedy, wherein small matters are handled in a transcendental style. But Mandane lifted Mrs. Yates to an equality with Mrs. Cibber; and Walpole, who spoke of Murphy, sneeringly, as a "writing actor," did him the justice to add that he was "very good company."
Then, Foote played Shylock! Wilkinson delighted everybody by his imitations, save the actors whom he mimicked, and Garrick took the "Pupille" of the Gallo-Irish Fagan, and polished it into the pretty little comedietta, the "Guardian," in which his Heartly showed what a man of genius could make of so small a part. Mozeen, who had left the law for the stage, found a bright opportunity for Miss Barton in his "Heiress;" and Dr. Hill showed the asinine side of his character by describing his farce of the "Rout" as by "a person of honour!"—
"For physic and farces, his equal there scarce is;
His farces are physic, his physic a farce is!"