"The first and the simplest emotion which we discover in the human mind is curiosity."—Burke.

"Yes, I am quite ready," says Portia.

The hour has flown, and Dulcinea, standing in the doorway of her cousin's room, gazes on her with undisguised admiration. To Dulcinea, anything lovely, be it man, or beast, or flower, is an intense and everlasting delight, and now Portia enchants her. In very truth so well she might, as a fairer picture than she presents at this moment can hardly be imagined.

She is standing before a large glass, let into the wall on one side of the room from ceiling to floor, and, with a back glass in her hand, is leaning slightly to one side, as though lost in admiration of the soft mass of fair, brown hair that lies coiled low down on her neck in high-art fashion. She is like a soft harmony in black and gold, with her filmy robes clinging closely round her, and the old gold, that is so like tarnished yellow, touching her here and there.

"Ah! Mark was right," says Dulce, with a little sigh of intensest pleasure. "Come down now (you cannot make yourself more beautiful), and be made known to Uncle Christopher."

It is in the library that Miss Vibart makes herself known. Dulce entering first, with her gay little air, says:

"This is Portia, Uncle Christopher." Thereupon a tall old man, rising from a chair, comes quickly up to them and takes Portia's hand, and, stooping very low, presses his lips to her forehead.

He is a remarkably handsome old man, with light hair, and a rather warm complexion, and choleric, but kindly eyes. Even at the first glance Portia tells herself he would be as harsh a foe as he would be a champion true, and in so far she reads him right. He is hot-tempered, obstinate, at moments perhaps unjust, but at all times kind-hearted, and deserving of tenderest regard.

Now he is holding his new niece's hand, and is gazing down at her with animated eyes, that no age will ever quite dim.

"So glad. So glad you have come to us," he says, in a tone that reminds her of Dulce's, though it is so deep and strong and masculine, and hers so very much the reverse in every way, "Bless me, how days go by! Just last week, as it seems to me, I saw you a little girl in short petticoats and frills, and furbelows, and now—"