Yet, hark, what is this? A footstep on the gravel path below arouses her attention. For the first time since Dora's departure she moves, and, turning her head, glances in the direction of the sound.
Bareheaded, and walking with his hands clasped behind him as though absorbed in deep thought, Sir Adrian comes slowly over the sward until he stands beneath her window. Here he pauses, as though almost unconsciously his spirit has led him thither, and brought him to a standstill where he would most desire to be.
The moon, spreading its brilliance on all around, permits Florence to see that his face is grave and thoughtful, and—yes, as she gazes even closer, she can see that it is full of pain and vain longing.
What is rendering him unhappy on this night of all others, when the woman she believes he loves has been his willing companion for so many hours, when doubtless she has given him proofs of her preference for him above all men?
Suddenly lifting his head, Sir Adrian becomes conscious of the face in the window above, and a thrill rushes through him as he recognizes the form of the woman he loves.
The scene is so calm, so hallowed, so full of romance, that both their hearts beat madly for awhile. They are alone; any one still awake within the house is far distant.
Never has she appeared so spiritual, so true and tender; so full of sweetness that is almost unearthly. All pride seems gone from her, and in its place only a gentle melancholy reigns; she looks so far removed from him, sitting there in the purity of her white robes, that, at first, he hesitates to address her. To his excited imagination, she is like an angel resting on its way to the realms above.
At last, however, his heart compelling him, he speaks aloud.
"Florence, you still awake, when all the world is sleeping?"
Her name falling from his lips touches a chord in her breast, and wakes her to passionate life.