"Yes, this dance is yours," says she, looking up at Tom.
"If you would prefer to dance it with Sir Maurice——" begins he.
He is looking at her. His heart feels on fire. Will she elect to dance with this husband, who, as report goes, so openly prefers another?
"No, no, no!" cries Tita gaily; "I have promised you. Maurice can ask me for another later on."
"Certainly," says Sir Maurice courteously.
He nods and smiles at them as they leave the recess, but once past his view, his expression changes; his brow grows black as night. What does it all mean? Is she as innocent as heaven itself, or as false as hell? All things point the latter way.
First she had said—— What was it she had said? That she didn't know whether she were engaged to this dance or not. A clear putting off—a plan to gain time. She had lost her card; she couldn't imagine how and where. Then comes the inevitable cousin with the card. And his hesitation—that was fatal. He surely was clever enough to have avoided that. She had known what to do, however; she had taken the bull by the horns. She had given "Tom," as she calls him, a safe lead.
And yet—and yet! Her face comes back to him. Could he accuse that face of falsehood? And another thing: If she and that cousin of hers were in collusion, would they have so openly defied him, as it were?
No; it is out of the question. So far as she goes, at all events, there is nothing to complain of. That she is indifferent to him—her husband—is, of course, beyond question. He himself had arranged all that beforehand—before his marriage. Both he and she were to have a loose rein, and there was to be no call for affection on either side.
His mind runs back to those early days when he had asked Tita to marry him. He had been altogether satisfied with the arrangements then made—arrangements that left him as free as air, and his wife too. He had thought with boredom of this marriage, and had grasped at any alleviation of the martyrdom. And now it is just as he had ordained it. And yet——