My son has three illegitimate children, two boys and a girl; but only one of them is legitimated, that is, his son by Mademoiselle de Seri, a lady of noble family, and who was my Maid of Honour. The younger Margrave of Anspach was also in love with her. This son is called the Chevalier d'Orleans. The other, who is now (1716) about eighteen years old, is an Abbe; he is the son of La Florence, a dancer at the Opera House. The daughter is by Desmarets, the actress. My son says that the Chevalier d'Orleans is more unquestionably his than any of the others; but, to tell the truth, I think the Abbe has a stronger family likeness to my son than the Chevalier, who is like none of them. I do not know where my son found him; he is a good sort of person, but he has neither elegance nor beauty. It is a great pity that the Abbe is illegitimate: he is well made; his features are not bad; he has very good talents, and has studied much.—[Duclos says that this 'eleve' of the Jesuits was, nevertheless, the most zealous ignoramus that ever their school produced.]—He is a good deal like the portraits of the late Monsieur in his youth, only that he is bigger. When he stands near Mademoiselle de Valois it is easy to see that they belong to the same father. My son purchased for the Chevalier d'Orleans the office of General of the Galleys from the Marechal de Tasse. He intends to make him a Knight of Malta, so that he may live unmarried, for my son does not wish to have the illegitimate branches of his family extended. The Chevalier does not want wit; but he is a little satirical, a habit which he takes from his mother.

My son will not recognize the Abbe Saint-Albin, on account of the irregular life which his mother, La Florence, has led. He fears being laughed at for acknowledging children so different. The Abbe Dubois was a chief cause, too, why my son would not acknowledge this son. It was because the Abbe, aspiring to the Cardinal's hat, was jealous of every one who might be a competitor with him. I love this Abbe Saint-Albin, in the first place, because he is attached to me, and, in the second, because he is really very clever; he has wit and sense, with none of the mummery of priests. My son does not esteem him half so much as he deserves, for he is one of the best persons in the world; he is pious and virtuous, learned in every point, and not vain. It is in vain for my son to deny him; any one may see of what race he comes, and I am sorry that he is not legitimated. My son is much more fond of Seri's Son.

The poor Abbe de Saint-Albin is grieved to death at not being acknowledged; while Fortune smiles upon his elder brother, he is forgotten, despised, and has no rank; he seeks only to be legitimated. I console him as well as I can; but why should I tease my son about the business?

[The Abbe de Saint-Albin was appointed Bishop of Laon, and, after Dubois' death, Archbishop of Cambrai. When he wished to become a member of the Parliament he could not give the names either of his father or mother; he had been baptized in the name of Cauche, the Regent's valet de chambre and purveyor.]

It would only put him in the way of greater inconveniences, for, as he has also several children by Parabere, she would be no less desirous that he should legitimate hers. This consideration ties my tongue.

The daughter of the actress Desmarets is somewhat like her mother, but she is like no one else. She was educated in a convent at Saint Denis, but had no liking for a nun's life. When my son had her first brought to him she did not know who she was. When my son told her he was her father, she was transported with joy, fancying that she was the daughter of Seri and sister to the Chevalier; she thought, too, that she would be legitimated immediately. When my son told her that could not be done, and that she was Desmarets' daughter, she wept excessively. Her mother had never been permitted to see her in the convent; the nuns would not have allowed it, and her presence would have been injurious to the child. From the time she was born, her mother had not seen her until the present year (1719), when she saw her in a box at the theatre, and wept for joy. My son married this girl to the Marquis de Segur.

An actress at the Opera House, called Mdlle. d'Usg, who is since dead, was in great favour with my son, but that did not last long. At her death it appeared that, although she had had several children, neither she nor her mother nor her grandmother had ever been married.

SECTION XXIII.—THE CHEVALIER DE LORRAINE.

The Chevalier de Lorraine looked very ill, but it was in consequence of his excessive debauchery, for he had once been a handsome man. He had a well-made person, and if the interior had answered to the exterior I should have had nothing to say against him. He was, however, a very bad man, and his friends were no better than he. Three or four years before my husband's death, and for his satisfaction, I was reconciled with the Chevalier, and from that time he did me no mischief. He was always before so much afraid of being sent away that he used to tell Monsieur he ought to know what I was saying and doing, that he might be apprised of any attempt that should be made against the Chevalier or his creatures.

He died so poor that his friends were obliged to bury him; yet he had 100,000 crowns of revenue, but he was so bad a manager that his people always robbed him. Provided they would supply him when he wanted them with a thousand pistoles for his pleasures or his play, he let them dispose of his property as they thought fit. That Grancey drew large sums from him. He met with a shocking death. He was standing near Madame de Mare, Grancey's sister, and telling her that he had been sitting up at some of his extravagant pleasures all night, and was uttering the most horrible expressions, when suddenly he was stricken with apoplexy, lost the power of speech, and shortly afterwards expired.