M. d'Arenberg relates a somewhat amusing remark of M. Thiers. At a concert given by the Duchesse de Galliera, the Princesse de Lieven reproached M. Thiers for his want of attention; he told her that he would be more attentive when she had left the Ministry. Another saying of his is also quoted: he is said to have declared that his return to power was by no means a forthcoming event, and that he would wish it to be preceded by the presidency of the Chamber.

Rochecotte, February 25, 1843.—Yesterday I took from the library a volume of memoirs, entitled Memoirs of Gaston d'Orléans, attributed to one of the officers of his household, Aglay de Martignac. I found there this clever and witty observation by Gaston: "During a short stay that the King made at Paris, Monsieur met the Queen when she had just completed a nine days' fast in prayer that she might have children; he said to her in a jesting tone, 'Madame, you have been arousing the sympathy of your judges against myself; I will allow you to win your case if the King is sufficiently strong to secure your wishes.'"

Barante writes to say that the ambassador Pahlen is to go to Germany this summer, and that he would like to do the same, that he might see from this meeting what his chances really are. He also says that the prospects of M. Guizot are somewhat doubtful; that the agitation set on foot by M. Molé has lowered his prestige and compromised him; that Thiers is manœuvring with renewed cleverness, and that falsehood is becoming so habitual with every one that the general spectacle is revolting and depressing.

Rochecotte, March 1, 1843.—Prince Pierre d'Arenberg, who has been here for two days, brought Madame de Ludre's book,[ [76] from which he read some chapters yesterday evening in the drawing-room. The poor woman has lost her way in the mazes of metaphysical hair-splitting, and has produced the most extraordinary and incomprehensible jumble that any one could conceive. The ideas of the book and the divisions of it are amazingly eccentric, nor has it any merits of style, and what the object of it may be no one can tell. By way of a rest after this reading we played at nonsense verses, and infantile as this amusement is, it is infinitely more reasonable and intellectual than the sublunary theology of Madame de Ludre.

Rochecotte, March 2, 1843.—I have come in from a long walk in incomparable weather; it is one of those days which help one to live and which are so enjoyable in the country and so rarely suspected at Paris. The advance of vegetation is surprising; all the shrubs are showing their opening leaves with the light and tender green of spring; the jonquils and narcissi are in flower, and we could strew the ground with violets. Why should I change all this for the mud and foggy atmosphere of Paris?

Paris, March 12, 1843.—I am again submerged in Paris, and have heard a considerable amount of news since my arrival. Here are some details which have at least the merit of being amusing. A lady who met the Duc de Noailles on the evening of the day when he made his speech concerning the right of visitation, complimented him, adding, "Unfortunately, M. le Duc, you are like the fowl which lays only one golden egg in the course of the year." The Marquise de Caraman called upon the Duchesse de Poix on Tuesday when there were a number of people in the room; the Duchesse de Gramont called her over and asked her to sit down at her side, and said to her aloud, "Is it true, Madame, that you married Marshal Sébastiani?" Madame de Caraman immediately replied, calmly and in an equally loud voice, "I know that many people say so, but hitherto I have not met any one sufficiently tactless to ask me the question."

Paris, March 14, 1843.—It is said that the monument which is to be placed in the memorial chapel for the late Duc d'Orléans, is an admirable piece of work. It represents the poor young Prince at the moment of his death, in the dress that he was then wearing. The expression is beautiful and touching: above the head is placed the angel, the last work of Princesse Marie, the Prince's sister; the angel is placed as though to receive the Prince's soul and carry it to the skies, a beautiful idea which goes to the heart at once. A bas-relief represents the genius of France leaning upon an urn and weeping, with the national flag at its feet. Triqueti was commissioned with this fine work. The whole of the Royal Family went to see the monument: the Queen burst into sobs, the King nearly fainted and had to be taken out; the Duchesse d'Orléans wept much, but spoke for a long time to the artist who executed this beautiful work.

The Duc de Doudeauville, better known as the Vicomte Sosthène de La Rochefoucauld, has written a character portrait of Mlle. Rachel who does not seem to be satisfied.[ [77] He asked Madame Récamier to read it to her. She replied "I will ask M. de Chateaubriand." The latter said that it would weary him, to which Sosthène answered, "As you are so anxious to hear it, I will begin," and immediately read his composition without stopping.

Paris, March 16, 1843.—M. de Montrond asserts that the King told him that he did not wish M. Molé to be minister; he would prefer that M. Thiers would come to an agreement with M. Guizot and that they should act together. "Molé is entirely perfidious" the King is said to have declared, "and could never act with any one, whereas Thiers and Guizot are made to co-operate. They have no reason for mutual reproach or envy, are both men of letters, distinguished historians, members of the Academy, &c.; in short they are made to act in agreement."

Paris, March 17, 1843.—M. Thiers dined the other day with M. Chaix d'Est-Ange, president of the corporation of barristers; MM. Odilon-Barrot, Sauzet, d'Argout, Berryer, Dupin, Martin du Nord, the guardian of the seals[ [78] and M. de Peyronnet, the former Minister of Charles X., were also there. M. Walewski was asked to guess in whose house so strange a meeting could have taken place, as most of the actors were members of the Intrigue, and said: "It could only be at the house of M. Molé." This incident took place in the salon of M. Thiers and gave rise to many remarks at M. Molé's expense and the poor figure he will cut after he is overthrown.[ [79]