EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners. By K. PAIGE. Fourth Edition. Part I, 1s. 6d. net; Part II, 2s. net. Crown 8vo, paper (2 parts complete in cloth, 5s. net).
CONTENTS OF PART I: 1. Pitch. 2. Length of Sounds. 3. Time. 4. Time and Accent. 5. Intervals. 6. Scales. 7. Transposition. 8. Syncopation. 9. Signs and Abbreviations. 10. Notation. 11. Miscellaneous Questions and Exercises.
CONTENTS OF PART II: 1. Triads. 2. First Inversion of a Triad. 3. Second Inversion of a Triad. 4. Dissonances. 5. Suspensions. 6. Sequences. 7. Cadences. 8. Dominant Sevenths, etc.
HOW TO MEMORISE MUSIC. By C. F. KENYON. With numerous Musical Examples. Fourth Edition. Crown 8vo, cloth, 5s. net.
"Mr. Kenyon proves himself an excellent guide; and indeed we know of no other work devoted to the subject with which he has dealt so thoroughly and so successfully."—Glasgow Herald.
HOW TO HARMONIZE MELODIES. With Hints on Writing for Strings and Pianoforte Accompaniments. By J. HENRY BRIDGER, Mus.Bac. With Musical Examples throughout. Crown 8vo, cloth, 6s. net.
THE ART OF MODULATION. A Handbook showing at a Glance the Modulations from one Key to any other in the Octave, consisting of 1,008 Modulations. For the Use of Organists and Musical Directors. Edited by CARLI ZOELLER. Third Edition. Roy. 8vo, cloth, 8s. net (paper, 5s. net).
THE STUDENT'S BOOK OF CHORDS. With an Explanation of their Inversions and Resolutions. By PASCAL NEEDHAM. Crown 8vo, sewed, 1s. 6d. net.
The chords with their inversions and resolutions are briefly and clearly explained.
TRANSPOSITION AT SIGHT. For Students of the Organ and Pianoforte. By H. E. NICHOL. Fourth Edition, with numerous Musical Exercises. Crown 8vo, cloth, 3s. 6d. net; paper, 2s. net.
The practice of transposing upon the lines here laid down develops the "mental ear," quickens the musical perception and gives ease in sight reading; as it is evident that, if the student can transpose at sight, he will not have much difficulty in merely playing at sight. Free use is made of the tonic sol-fa as well as the standard notation in many musical examples.