Having thus spoken, she drew aside her garments
And showed all that shape of the body which it is
improper to name—the growth of puberty.
And with her own hand Iambe stripped herself under
the breasts.
Blandly then the goddess laughed and laughed in her
mind,
And received the glancing cup in which was the
draught.
During the Peloponnesian war the Athenians were unable to obtain an armistice from the Lacedæmonians who held Decelea, and it became necessary to send the statue of Iacchos and the processionists to Eleusis by sea. Plutarch says: "Under these conditions it was necessary to omit the sacrifices usually offered all along the road during the passing of Iacchos."
EIGHTH DAY.—The eighth day was called Epidaurion, because it happened once that Æsculapius, coming from Epidaurius to Athens, desired to be initiated, and had the Lesser Mysteries repeated for that purpose. It therefore became customary to celebrate the Lesser Mysteries a second time upon this day, and to admit to initiation any such approved candidates who had not already enjoyed the privilege. There was also another reason for the repetition of the initiatory rites then. The eighth day was regarded as symbolical of the soul falling into the lunar orbi, and the repeated initiation, the second celebration of that sacred rite, was symbolical of the soul bidding adieu to everything of a celestial nature, sinking into a perfect oblivion of her divine origin and pristine felicity, and rushing profoundly into the region of dissimilitude, ignorance, and error. The day opened with a solemn sacrifice offered to Demeter and Persephone, which took place within the peribolus. The utmost precision had to be observed in offering this sacrifice as regarding the age, colour, and sex of the victim, the chants, perfumes, and libations. The acceptance or rejection of a sacrifice was indicated by the movements of the animal as it approached the altar, the vivacity of the flame, the direction of the smoke, etc. If these signs were not favourable in the case of the first victim offered, other animals must be slain until one presented itself in which all the signs were favourable. The flesh of the animal offered was not allowed to be taken outside the sacred precincts, but had to be consumed within the building. The following is said to have been an Invocation used during the celebration of the Mysteries:—
Daughter of Jove, Persephone divine,
Come, blessed queen, and to these rites incline;
Only-begotten, Pluto's honoured wife,
O venerable goddess, source of life:
'Tis thine in earth's profoundities to dwell,
Fast by the wide and dismal gates of hell.
Jove's holy offering, of a beauteous mien,
Avenging goddess, subterranean queen.
The Furies' source, fair-hair'd, whose frame proceeds
From Jove's ineffable and secret seeds.
Mother of Bacchus, sonorous, divine,
And many form'd, the parent of the vine.
Associate of the Seasons, essence bright,
All-ruling virgin, bearing heav'nly light.
With fruits abounding, of a bounteous mind,
Horn'd, and alone desir'd by those of mortal kind.
O vernal queen, whom grassy plains delight,
Sweet to the smell, and pleasing to the sight:
Whose holy forms in budding fruits we view,
Earth's vig'rous offspring of a various hue:
Espous'd in autumn, life and death alone
To wretched mortals from thy pow'r is known:
For thine the task, according to thy will,
Life to produce, and all that lives to kill.
Hear, blessed Goddess, send a rich increase
Of various fruits from earth, with lovely Peace;
Send Health with gentle hand, and crown my life
With blest abundance, free from noisy strife;
Last in extreme old age the prey of death,
Dismiss me willing to the realms beneath,
To thy fair palace and the blissful plains
Where happy spirits dwell, and Pluto reigns.
NINTH DAY.—The ninth day was known as the Day of Earthen Vessels, because it was the custom on that day to fill two jugs with wine. One was placed towards the East and the other towards the West, and after the repetition of certain mystical formulæ both were overthrown, the wine being spilt upon the ground as a libation. The first of these formulæ was directed towards the sky as a prayer for rain, and the second to the earth as a prayer for fertility.
The words used by the hierophant to denote the termination of the celebration of the Mysteries-Conx Om Pax: "Watch and do no evil"—are said to have been Egyptian, and were the same as those used at the conclusion of the Mysteries of Isis. This fact is sometimes used as an argument in favour of the Egyptian origin of the Eleusinian Mysteries.
TENTH DAY.—On the tenth day the majority of the people returned to their homes, with the exception of every third and fifth year, when they remained behind for the Mystery Plays and Sports, which lasted from two to three days.
The Eleusinian Games are described by the rhetorician Aristides as the oldest of all Greek games. They are supposed to have been instituted as a thank-offering to Demeter and Persephone at the conclusion of the corn harvest. From an inscription dating from the latter part of the third century B.C. sacrifices were offered to Demeter and Persephone at these games. They included athletic and musical contests, a horse race, and a competition which bore the name of the Ancestral or the Hereditary Contest, the nature of which is not known, but which it is thought may have had its origin in a contest between the reapers on the sacred Rharian plain to see which should first complete his allotted task.
The ancient sanctuary in which the Mysteries were celebrated was burnt by the Persians in 480 or 479 B.C., and a new sanctuary was built—or, at least, begun—under the administration of Pericles. Plutarch says that Corcebus began the Temple of Initiation at Eleusis, but only lived to finish the lower rank of columns with their architraves; Metagenes, of the ward of Xypete, added the rest of the entablature and the upper row of columns, and that Xenocles of Cholargus built the dome on the top. The long wall, the building of which Socrates says he heard Pericles propose to the people, was undertaken by Callicrates. Cratinus satirized the work as proceeding very slowly:—
Stone upon stone the orator has pil'd
With swelling words, but words will build no walls.