“‘Afterwards the property came into the possession of ——, a distant relative of the family, who is a young man and officer in a cavalry regiment at Vienna. It appears that the heir enjoyed his life at the capital and did not trouble himself much about the old castle in the wilderness; he did not even come to look at it, but gave his directions by letter to the janitor, telling him merely to keep things in order and to attend to repairs, if any were necessary. Thus the castellan was actually master of the house, and offered its hospitality to me and my friends.
“One evening I and my two assistants, Dr E——, a young lawyer, and Mr W——, a literary man, went to inspect the premises. First we went to the stables. There were no horses, as they had been sold; but what attracted our special attention was an old, queer-fashioned coach with gilded ornaments and bearing the emblems of the family. We then inspected the rooms, passing through some halls and gloomy corridors, such as may be found in any old castle. There was nothing remarkable about the furniture; but in one of the halls there hung in a frame an oil-painting, a portrait, representing a lady with a large hat and wearing a fur coat. We were all involuntarily startled on beholding this picture—not so much on account of the beauty of the lady, but on account of the uncanny expression of her eyes; and Dr E——, after looking at the picture for a short time, suddenly exclaimed: ‘How strange! The picture closes its eyes and opens them again, and now it begins to smile!’
“Now Dr E—— is a very sensitive person, and has more than once had some experience in spiritism, and we made up our minds to form a circle for the purpose of investigating this phenomenon. Accordingly, on the same evening we sat around a table in an adjoining room, forming a magnetic chain with our hands. Soon the table began to move and the name Elga was spelled. We asked who this Elga was, and the answer was rapped out: ‘The lady whose picture you have seen.’
“‘Is the lady living?’ asked Mr W——. This question was not answered; but instead it was rapped out: ‘If W—— desires it, I will appear to him bodily to-night at two o’clock.’ W—— consented, and now the table seemed to be endowed with life and manifested a great affection for W——; it rose on two legs and pressed against his breast, as if it intended to embrace him.
“We inquired of the castellan whom the picture represented; but to our surprise he did not know. He said that it was the copy of a picture painted by the celebrated painter Hans Markart of Vienna, and had been bought by the old Count because its demoniacal look pleased him so much.
“We left the castle, and W—— retired to his room at an inn a half-hour’s journey distant from that place. He was of a somewhat sceptical turn of mind, being neither a firm believer in ghosts and apparitions nor ready to deny their possibility. He was not afraid, but anxious to see what would come of his agreement, and for the purpose of keeping himself awake he sat down and began to write an article for a journal.
“Towards two o’clock he heard steps on the stairs and the door of the hall opened; there was the rustling of a silk dress and the sound of the feet of a lady walking to and fro in the corridor.
“It may be imagined that he was somewhat startled; but taking courage, he said to himself: ‘If this is Elga, let her come in.’ Then the door of the room opened and Elga entered. She was most elegantly dressed, and appeared still more youthful and seductive than the picture. There was a lounge on the other side of the table where W—— was writing, and there she silently posted herself. She did not speak, but her looks and gestures left no doubt in regard to her desires and intentions.
“Mr W—— resisted the temptation and remained firm. It is not known whether he did so out of principle or timidity or fear. Be this as it may, he kept on writing, looking from time to time at his visitor and silently wishing that she would leave. At last, after half an hour, which seemed to him much longer, the lady departed in the same manner in which she came.